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Cravat as worn in the 19th century. The cravat (/ k r ə ˈ v æ t /) is a neckband, the forerunner of the modern tailored necktie and bow tie, originating from a style worn by members of the 17th century military unit known as the Cravats. [1] The modern British "cravat" is called an "ascot" in American English.
This new article of clothing started a fashion craze in Europe; both men and women wore pieces of fabric around their necks. From its introduction by the French king, men wore lace cravats, or jabots, which took a large amount of time and effort to arrange. These cravats were often tied in place by cravat strings, arranged neatly and tied in a bow.
This type of dress cravat is made of a thicker, woven type of silk similar to a modern tie and is traditionally either grey or black. [citation needed] A more casual form of ascot is in British English called a cravat, or sometimes as a day cravat to distinguish it from the formal ascot or dress cravat. The casual form is made from a thinner ...
The cravat or neckcloth was popular 1665–1730. [7] It was a large square or triangle of linen, lawn, silk, or muslin, [k] often starched, with the ends usually bordered with lace, or decorated with tasselled beads, and tied loosely beneath the chin. Formal cravats were always plain white, otherwise they could be coloured or patterned.
Cravats and jabots around the neck started to be worn during the early 1660s. By the mid-1660s, the collar had disappeared with just the cravat remaining, sometimes tied with a small bow of ribbon. Red was the most common color for the bow, although pink, blue, and other colors were also used.
Cravat Regiment, a guard of honour in Croatia; Croats (military unit), 17th-century light cavalry forces also known as Cravats; La Cravate, 1957 French short film also known as Les têtes interverties; Nick Cravat, stage name of American actor and stunt performer Nicholas Cuccia (1912–1994) The Cravats, an English punk rock band formed in 1977
Portrait of John C. Calhoun in a sheer white formal cravat, dark coat, and fur-collared or lined overcoat, 1834. Portrait of Hans Christian Andersen shows the depth and breadth of fashionable coat collars, 1836. A gentleman of the Wilkes Family, 1838–40, wears a dark cravat. His tall coat collar is notched and spreads onto his shoulders.
One running theme in Fisher's designs was the embrace of aspects of late 17th century fashion such as cravats, bizarre silks, military braids, brocade and high collared shirts. [19] Christopher Gibbs too was an influential designer, introducing double breasted waistcoats, Turkish shirts and cloth covered buttons into the movement. [20]
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