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  2. Nondominant seventh chord - Wikipedia

    en.wikipedia.org/wiki/Nondominant_seventh_chord

    With chord letters used to indicate the root and chord quality, and add 7, thus a seventh chord on ii in C major (minor minor seventh) would be d 7. [1] As with dominant seventh chords, nondominant seventh chords often resolve by stepwise progression around the circle of fifths—that is, by intervals of a descending fifth (clockwise) or ...

  3. Seventh chord - Wikipedia

    en.wikipedia.org/wiki/Seventh_chord

    The most common chords are tertian, constructed using a sequence of major thirds (spanning 4 semitones) and/or minor thirds (3 semitones). Since there are 3 third intervals in a seventh chord (4 notes) and each can be major or minor, there are 7 possible permutations (the 8th one, consisted of four major thirds, results in a non-seventh augmented chord, since a major third equally divides the ...

  4. Dominant seventh chord - Wikipedia

    en.wikipedia.org/wiki/Dominant_seventh_chord

    The dominant seventh may work as part of a circle progression, preceded by the supertonic chord, ii. A non-diatonic dominant seventh chord (sometimes called a chromatic seventh) can be borrowed from another key, and this can provide a way for the composer to modulate to that other key.

  5. Seventh (chord) - Wikipedia

    en.wikipedia.org/wiki/Seventh_(chord)

    Seventh (F), in red, of a G7 dominant seventh chord in C Third inversion G7 chord; the seventh is the bass. In music, the seventh factor of a chord is the note or pitch seven scale degrees above the root or tonal center. [1] When the seventh is the bass note, or lowest note, of the expressed chord, the chord is in third inversion Play ⓘ.

  6. Altered chord - Wikipedia

    en.wikipedia.org/wiki/Altered_chord

    An altered seventh chord is a seventh chord with one, or all, [15] of its factors raised or lowered by a semitone (altered), for example, the augmented seventh chord (7+ or 7+5) featuring a raised fifth (C E G ♯ B ♭ [16] (C 7+5: C–E–G ♯ –B ♭). The factors most likely to be altered are the fifth, then the ninth, then the thirteenth ...

  7. Chord substitution - Wikipedia

    en.wikipedia.org/wiki/Chord_substitution

    The chord a minor third above, ♭ VII 7, may be substituted for the dominant, and may be preceded by its ii: iv 7. [16] Due to common use the two chords of the backdoor progression (IV 7-♭ VII 7) may be substituted for the dominant chord. [11] In C major the dominant would be G7: GBDF, sharing two common tones with B ♭ 7: B ♭ DFA ♭.

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