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There exist two main traditions around the birth of Dionysus: the standard version, in which he is the child of Zeus and Semele, and an Orphic version, in which he is born to Zeus and his daughter, Persephone. [168] The Orphic Hymns reference both of these parentages, mentioning the birth of Eubuleus (a name for Dionysus) to Zeus and Persephone ...
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Orphic Hymn 71 is addressed to Melinoe, and describes her as follows (in the translation by Apostolos Athanassakis and Benjamin M. Wolkow): I call upon Melinoë, saffron-cloaked nymph of the earth, whom revered Persephone bore by the mouth of the Kokytos river upon the sacred bed of Kronian Zeus.
Rephrased along those lines: The Orphic Hymns are most important surviving representative of the genre of hymnic literature attributed to Orpheus.. – Michael Aurel 02:02, 10 February 2025 (UTC) "Editions and translations" should probably be after the references
Mise or Misé (Ancient Greek: Μίση) is an Anatolian goddess addressed in one of the Orphic Hymns. She is first mentioned in a mime by the Greek poet Herodas, which references a "Descent of Mise". In the Orphic Hymn addressed to her, she is identified with Dionysus, and depicted as a female version of the
Prothyraia's means 'at the door' or 'at the door-way', [3] and is used to denote a goddess who presides over the area around the entrance to a building. [4] Prothyraia is an epiclesis of the goddesses Eileithyia, Hecate, and Artemis; [3] Prothyraia is attested as an epithet of Artemis in a 2nd-century AD inscription discovered in Epidaurus. [5]
Orphic mosaics were found in many late-Roman villas. Orphism (more rarely Orphicism; Ancient Greek: Ὀρφικά, romanized: Orphiká) is the name given to a set of religious beliefs and practices [1] originating in the ancient Greek and Hellenistic world, [2] associated with literature ascribed to the mythical poet Orpheus, who descended into the Greek underworld and returned.
Orphic mosaics were found in many late-Roman villas. Orphism is the name given to a set of religious beliefs and practices [1] originating in the ancient Greek and Hellenistic world, [2] associated with literature ascribed to the mythical poet Orpheus, who descended into the Greek underworld and returned.