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Hieronymus Bosch, General Resources, ColourLex; Bosch, the Fifth Centenary Exhibition: At the Prado; Works at Open Library; K. Katelyn Hobbs, "Ecce Homo by a follower of Hieronymus Bosch (cat. 352)" [permanent dead link ] in The John G. Johnson Collection: A History and Selected Works, a Philadelphia Museum of Art free digital publication.
In Dante's Inferno the Harrowing of Hell is mentioned in Canto IV by the pilgrim's guide Virgil. Virgil was in Limbo (the first circle of Hell) in the first place because he was not exposed to Christianity in his lifetime, and therefore he describes Christ in generic terms as a "mighty one" who rescued the Hebrew forefathers of Christianity ...
There was a dispute as to whether this work was a Bosch autograph or a piece by the workshop until the Bosch Research and Conservation Project concluded it to be autograph based on evidence present in the underdrawing. [6] The Temptation of St. Anthony c. 1530–1540 Oil on wood 70 × 51 cm Museo del Prado, Madrid, Spain Bosch's authorship is ...
Inferno is the first section of Dante Alighieri's three-part poem Commedia, often known as the Divine Comedy.Written in the early 14th century, the work's three sections depict Dante being guided through the Christian concepts of hell (Inferno), purgatory (), and heaven (). [2]
'The garden of lusts') is the modern title [a] given to a triptych oil painting on oak panel painted by the Early Netherlandish master Hieronymus Bosch, between 1490 and 1510, when Bosch was between 40 and 60 years old. [1]
Inferno (Italian: [iɱˈfɛrno]; Italian for 'Hell') is the first part of Italian writer Dante Alighieri's 14th-century narrative poem The Divine Comedy.It is followed by Purgatorio and Paradiso.
Christ Carrying the Cross (Bosch, Vienna) Christ Carrying the Cross (Bosch, Madrid) Christ Child with a Walking Frame; Christ Crowned with Thorns (Bosch, El Escorial) Christ Crowned with Thorns (Bosch, London) Concert in the Egg; The Conjurer (painting) The Crucifixion of Saint Wilgefortis; Crucifixion with a Donor (Bosch)
Cerberus in the third circle of hell, as depicted by William Blake. The presence of Cerberus in the third circle of hell is another instance of an ancient Greek mythological figure adapted and intensified by Dante; as with Charon and Minos in previous cantos, Cerberus is a figure associated with the Greek underworld in the works of Virgil and Ovid who has been repurposed for its appearance in ...
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