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The song is used in the film Who Framed Roger Rabbit (1988), an animation/live-action blend based upon the cartoons of the 1940s. "The Merry-Go-Round Broke Down" is performed twice in the film: first by cartoon character Roger Rabbit (voiced by Charles Fleischer), as he's being assisted by his human partner Eddie Valiant (Bob Hoskins) in hiding out from Judge Doom's weasel henchmen [3] and ...
A music video for "Roger Rabbit" was released on October 10, 2012, via mtvU. Track listing. All lyrics written by Kellin Quinn and Jesse Lawson unless noted, all ...
The song appeared in the 1988 film Who Framed Roger Rabbit, performed by actress Amy Irving as the singing voice for Jessica Rabbit. Composition and lyrics [ edit ]
"The current Disney would never make 'Roger Rabbit' today," the filmmaker insists. Robert Zemeckis says “Roger Rabbit 2” 'isn't ever going to see the light of day' because of Jessica Rabbit ...
Who Framed Roger Rabbit (Original Motion Picture Soundtrack) is the soundtrack album to the 1988 film Who Framed Roger Rabbit, directed by Robert Zemeckis and featured film score composed by regular Zemeckis collaborator Alan Silvestri, who conducted the London Symphony Orchestra.
The updated “Roger Rabbit” ride did promote the illustrated ingenue from a damsel in distress to the main character, however.. During the podcast, Zemeckis also told host Josh Horowitz how he ...
Roger also starred in a comic book series published by Disney Comics from April 1990 to September 1991 and a spin-off series called Roger Rabbit's Toontown, published from June to October 1991, which featured Roger in the first story and supporting characters like Jessica Rabbit, Baby Herman, Benny the Cab, and the Toon Patrol. The series ...
It was also used as an ending to many cartoon shows, just after the credits. Decades later, the couplet became a plot device to lure-out an intended victim, as used by Judge Doom in the film Who Framed Roger Rabbit, the idea being that toons cannot resist finishing with the "two bits" when they hear the opening rhythm. [18]