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A contemporary critic described the painting: "It is painted in [Homer's] customary coarse and negligé style, but suggests with unmistakable force the life and motion of a breezy summer day off the coast. The fishing boat, bending to the wind, seems actually to cleave the waves. There is no truer or heartier work in the exhibition."
The Gulf Stream is an 1899 oil painting by the American artist Winslow Homer. [1] It shows a man in a small dismasted rudderless fishing boat struggling against the storm-tossed waves and perils of the sea, presumably near the Gulf Stream, and was the artist's statement on a theme that had interested him for more than a decade.
The Boating Party is an oil painting by American artist Mary Cassatt created in 1893. It is also known under the titles La partie en bateau; La barque; Les canotiers; and En canot. [1] Measuring nearly three by four feet, it is Cassatt’s largest and most ambitious painting.
Acrylic, oil stick and gold paint on mirror and wood 43 1/4 x 22 3/8 in $2.9 million (2020) [6] Private collection 1981 Untitled: Acrylic, oilstick, pencil, spray paint, paper collage on wood 48 x 30 in $4 million (2013) [7] Private collection 1981 Untitled: Acrylic, oilstick and spray paint on canvas 78 1/2 x 72 in $14.6 million (2007) [8]
A homage to this painting appears in the final panel of On the False Earths (1977), the seventh volume of Jean-Claude Mézières and Pierre Christin's long-running comic book series Valérian and Laureline. [11] The painting was featured prominently in Jean-Pierre Jeunet's film Le Fabuleux Destin d'Amélie Poulain — released in English as ...
La barca de Aqueronte, translated in English as The Boat of Charon [1] or Charon's Boat, [2] is an 1887 oil-on-canvas and allegorical painting [1] [2] by the Filipino painter Félix Resurrección Hidalgo. The work was a gold medalist during the Exposicion General de las Filipinas [1] (International Philippine Exposition) in Madrid. [3]
The painting shows no horizon, making the open-air space more enclosed and intimate. Four of the subjects are naked: one swimming to the upper left, one resting on rocks to the lower left, one wading and holding the boat to the lower right, and one sitting on the side of the boat in the centre. The two others are clothed: one standing in white ...
The Studio Boat (Le Bateau-atelier) is a painting from 1876 by the French Impressionist Claude Monet. The work depicts Monet at work in his studio boat on the Seine in Argentueil. [1] It was executed en plein air in oil on canvas. It currently is in the collection of the Barnes Foundation of Philadelphia. [2]
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