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Biscuit porcelain, bisque porcelain or bisque is unglazed, white porcelain treated as a final product, [1] [2] with a matte appearance and texture to the touch. It has been widely used in European pottery , mainly for sculptural and decorative objects that are not tableware and so do not need a glaze for protection.
Over the following centuries, they introduced two ceramic techniques to Europe: glazing with an opaque white tin-glaze, and lustreware, which imitates metallic finishes with iridescent effects. Hispano-Moresque wares use both processes, applying the paint as an overglaze which is then fired again. [1]
The broader term ceramic painting includes painted decoration on lead-glazed earthenware such as creamware or tin-glazed pottery such as maiolica or faience. Typically the body is first fired in a kiln to convert it into a hard porous biscuit or bisque .
The technique essentially uses powdered glass mixed with coloured pigments, and is the application of vitreous enamel to pottery; enamelled glass is very similar but on glass. Both these latter two are essentially painting techniques, and have been since they began.
A technique for shaping an article by pouring a deflocculated, high-solids content slip into a porous, often plaster, mould Slipware pottery where decoration in slip is a main feature. Includes slip-painting, slip-trailing, and many other techniques Slop Another name for slurry. Soaking A period during a firing cycle when a set temperature is ...
A bisque porcelain bust. Biscuit [1] [2] [3] [4] (also known as bisque) refers to any pottery that has been fired in a kiln without a ceramic glaze.This can be a ...
White-ground technique is a style of white ancient Greek pottery and the painting in which figures appear on a white background. It developed in the region of Attica , dated to about 500 BC. It was especially associated with vases made for ritual and funerary use, if only because the painted surface was more fragile than in the other main ...
Dictionary of Ceramics: Pottery, Glass, Vitreous Enamels, Refractories, Clay Building Materials, Cement and Concrete, Electroceramics, Special Ceramics. Maney Publishing. ISBN 978-0-901716-56-9. Levin, Elaine (1988). The History of American Ceramics: From Pipkins and Bean Pots to Contemporary Forms, 1607 to the present. Harry N. Abrams.
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