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Vltava, also known by its English title The Moldau, and the German Die Moldau, was composed between 20 November and 8 December 1874 and was premiered on 4 April 1875 under Adolf Čech. It is about 13 minutes long, and is in the key of E minor. It is the most well known of the poems, often performed separately from the full work.
Smetana, c. 1878 Bedřich Smetana (/ ˌ b ɛ d ər ʒ ɪ x ˈ s m ɛ t ə n ə / BED-ər-zhikh SMET-ə-nə; [1] [2] [3] Czech: [ˈbɛdr̝ɪx ˈsmɛtana] ⓘ; 2 March 1824 – 12 May 1884) was a Czech composer who pioneered the development of a musical style that became closely identified with his people's aspirations to a cultural and political "revival".
One of the best-known works of classical music by a Czech composer is Bedřich Smetana's Vltava, sometimes called The Moldau in English. It is from the Romantic era of classical music and is a musical description of the river's course through Bohemia. Smetana's symphonic poem also inspired a song of the same name by Bertolt Brecht.
Moldau is a German name for: the Vltava river in the Czech Republic; ... "Vltava", a symphonic poem by Bedřich Smetana; See also. Moldavia (disambiguation) Moldava ...
Below is a List of compositions by Bedřich Smetana sorted by genre, catalogue numbers, original and English titles. JB numbers are from Tematický katalog skladeb Bedřicha Smetany (Thematic Catalogue of Works by Bedřich Smetana) by Jiří Berkovec (Prague, 1999). B. numbers are from the catalogue by František Bartoš.
The film and its teaser trailer also includes pieces of music such as the Vltava (also known as the Moldau) of Bedřich Smetana [7] and Ottorino Respighi's Ancient Airs and Dances Suite No. 3. Track listing
For example, The Swan of Tuonela (1895) is a tone poem from Jean Sibelius's Lemminkäinen Suite, and Vltava (The Moldau) by Bedřich Smetana is part of the six-work cycle Má vlast. While the terms symphonic poem and tone poem have often been used interchangeably, some composers such as Richard Strauss and Jean Sibelius have preferred the ...
Smetana began revising The Bartered Bride as soon as its first performances were complete. [9] For its first revival, in October 1866, the only significant musical alteration was the addition of a gypsy dance near the start of act 2. For this, Smetana used the music of a dance from The Brandenburgers of Bohemia. [18]