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Also apophthegm. A terse, pithy saying, akin to a proverb, maxim, or aphorism. aposiopesis A rhetorical device in which speech is broken off abruptly and the sentence is left unfinished. apostrophe A figure of speech in which a speaker breaks off from addressing the audience (e.g., in a play) and directs speech to a third party such as an opposing litigant or some other individual, sometimes ...
The current Counterpoint theme is Bach's "Partita in E major", arranged and performed by Jacques Loussier. The original theme tune for the programme, when it began in 1986, was The Arrival of the Queen of Sheba by Georg Friedrich Handel. In the late 1990s it was opened by a specially commissioned piece entitled "Counterpoint", by musician Ray ...
Counterpoint (radio programme), a musical quiz show on BBC Radio 4 "Counterpoint" (Star Trek: Voyager), a 1998 episode from the fifth season of Star Trek: Voyager; Counterpoint (Radio National), an Australian Broadcasting Corporation radio program; Counterpoint, a 1968 war film starring Charlton Heston
Dissonant counterpoint was originally theorized by Charles Seeger as "at first purely a school-room discipline," consisting of species counterpoint but with all the traditional rules reversed. First species counterpoint must be all dissonances, establishing "dissonance, rather than consonance, as the rule," and consonances are "resolved ...
See counterpoint coperti (plural of coperto) covered (i.e. on a drum, muted with a cloth) corda String. On the piano it refers to use of the soft pedal, which controls whether the hammer strikes one or three strings; see una corda, tre corde below. count Series of regularly occurring sounds to assist with ready identification of beat crescendo ...
The Penguin Dictionary of Literary Terms and Literary Theory. Penguin Books, 2000. ISBN 0-14-051363-9. Dana Gioia. The Longman Dictionary of Literary Terms: Vocabulary for the Informed Reader. Longman, 2005. ISBN 0-321-33194-X. Sharon Hamilton. Essential Literary Terms: A Brief Norton Guide with Exercises. W. W. Norton, 2006. ISBN 0-393-92837-3.
For example, John Donne and the metaphysical poets developed the conceit as a literary device, where an elaborate, implausible, and surprising analogy was demonstrated. In Renaissance poetry, and particularly in sonnets , the contrast was similarly used as a poetic argument.
Instead of a single central plot, there are a number of interlinked story lines and recurring themes (as in musical "counterpoint"). [6] As a roman à clef , [ 7 ] many of the characters are based on real people, most of whom Huxley knew personally, such as D. H. Lawrence , Katherine Mansfield , Nancy Cunard , and John Middleton Murry , and ...