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In the 1980s, samples were incorporated into synthesizers and music workstations, such as the bestselling Korg M1, released in 1988. [12] The Akai MPC, released in 1988, had a major influence on electronic and hip-hop music, [25] [11] allowing artists to create elaborate tracks without other instruments, a studio or formal music knowledge. [11]
Hip hop does not simply draw inspiration from a range of samples, but it layers these fragments into an artistic object. If sampling is the first level of hip hop aesthetics, how the pieces or elements fit together constitute the second level. Hip hop emphasizes and calls attention to its layered nature.
The production style of Pi'erre Bourne and music of Lil Uzi Vert were, in turn, influenced by the music of Wiz Khalifa and producer Sledgren, who sometimes incorporated video game samples in their music and were, in turn, influenced by early attempts to fuse European synthesizer-based music with hip-hop and contemporary R&B during the 2000s by ...
In dance or hip hop music sampling, chopping is the "altering [of] a sampled phrase [or break] by dividing it into smaller segments and reconfiguring them in a different order." (Schloss 2004, p. 106)
Zaytoven, whose beats heavily influenced the emergence of plugg music. The origins of plugg music are traced to the gospel and soul-influenced production style of Zaytoven, [12] and other southern rap influences, such as OutKast, [12] as well as to a loosely related subgenre of hip-hop called Chicago bop, which is a euphoric, fast-paced subgenre of drill music. [13]
However, the popularity of Mustard's style started to gain influence outside of hip hop. In 2012, electronic dance music (EDM), which incorporated elements of southern trap music, began gaining popularity and brought wider attention to the derivative forms of trap, including hyphy, [ 22 ] as well as Jamaican Dancehall music.
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