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Salt Peanuts" is a bebop tune composed by Dizzy Gillespie in 1941, co-written by drummer Kenny Clarke. The song was copyrighted on October 13, 1941 and credited to both musicians. The song was copyrighted on October 13, 1941 and credited to both musicians.
An Electrifying Evening with the Dizzy Gillespie Quintet is a 1961 live album by trumpeter Dizzy ... "Salt Peanuts" (Kenny Clarke, Gillespie) – 7:08 "A Night in ...
"Salt Peanuts" (Dizzy Gillespie, Kenny Clarke) "All the Things You Are" (Jerome Kern) "52nd Street Theme" (Thelonious Monk) "Wee (Allen's Alley)" (Denzil Best) "Hot House" (Tadd Dameron) "A Night in Tunisia" (Gillespie, Frank Paparelli) (The 2004 reissue contains fourteen tracks, of which nos. 5 through 11 are without Parker and Gillespie:)
Groovin' High is a 1955 compilation album of studio sessions by jazz composer and trumpeter Dizzy Gillespie. ... "Salt Peanuts" (Kenny Clarke, Gillespie) – 2:20 ...
1991 Dizzy Gillespie: A Night in Tunisia (VIEW) 1993 Live in London (Kultur Video) 1998 Dizzy Gillespie & Charles Mingus (Vidjazz) 1998 Dizzy Gillespie: Ages (Vidjazz) 1999 Jazz Casual: Dizzy Gillespie (Rhino) 2001 Jivin'in Be-Bop (Jazz Classic Video) 2001 Dizzy Gillespie: A Night in Chicago (VIEW) [3] 2001 Live at the Royal Festival Hall 1987 ...
Gillespie pledged to provide housing and hospital care for all those who needed it and to withdraw American troops from the Vietnam War. [3] Gillespie's campaign was managed by the jazz critic Ralph Gleason and his wife. [4] His campaign song was a rewrite of "Salt Peanuts", with lyrics reflecting the campaign. [7]
"Salt Peanuts" Good, Cohen / Dizzy Gillespie, Kenny Clarke: 5:10: 3. "Grinning in Your Face" ... Bruce Good – vocal arrangement on "Salt Peanuts" Randy Tuten ...
John Birks "Dizzy" Gillespie (/ ɡ ɪ ˈ l ɛ s p i / gil-ESP-ee; October 21, 1917 – January 6, 1993) was an American jazz trumpeter, bandleader, composer, educator and singer. [2] He was a trumpet virtuoso and improviser, building on the virtuosic style of Roy Eldridge [3] but adding layers of harmonic and rhythmic complexity previously unheard in jazz.