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It was introduced in the summer of 1955 with a rated power output of 15 watts, cathode bias, two 6V6 output tubes, and a 5Y3 tube rectifier. The Tremolux was the first Fender amp with a built in effect, tremolo. [1] In 1957, the rated power output of the Tremolux was increased to 18 watts when it changed to a fixed bias design and a 5U4 rectifier.
A 1953 Deluxe. The Fender Deluxe amp of the 1950s was a medium-powered unit designed to let guitarists "hold their own" in a small group. As blues, western swing, Western, and rockabilly bands began getting louder, the overdriven tone of a cranked-up Deluxe found its way onto many live and recorded performances.
Due to the popularity of the Bassman, both amplifiers were produced concurrently during 1960. Unlike most of the other Professional Series amps however, the Concert (along with Fender Vibrasonic) were not previously offered as tweed-covered models in the 1950s. In late 1959, all of the Professional Series of Amps were debuted at the summer NAMM ...
The rarest of all the original 'woodie' series was the Professional. It was the largest of the trio featuring Jensen 15” field-coil speaker and 6 tubes delivering 25 watts of power. [3] The production of these amps ceased in 1948, however, the names of the amps became enduring ones for Fender.
Audio power is the electrical power transferred from an audio amplifier to a loudspeaker, measured in watts.The electrical power delivered to the loudspeaker, together with its efficiency, determines the sound power generated (with the rest of the electrical power being converted to heat).
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1959 Fender Harvard 5F10. The Fender Harvard is a vacuum tube (valve) guitar amplifier made by Fender from 1955 to 1963. The Harvard appeared only in a tweed covered "narrow-panel" cabinet, but in two very different circuit designs, namely 5F10 (1955–61) and 6G10 (1962–63).
LAS VEGAS (AP) — Milwaukee coach Doc Rivers has heard and seen enough. He's convinced there will be an NBA team in Las Vegas. “Yeah, they're going to get it,” Rivers said.