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Soft-ground etching uses a special softer ground. The artist places a piece of paper (or cloth etc. in modern uses) over the ground and draws on it. The print resembles a drawing. Soft ground can also be used to capture the texture or pattern of fabrics or furs pressed into the soft surface.
The artist applies a ground that will resist acid. Ground is applied by dissolving powdered resin in spirits, by applying the powder directly to the surface of the plate, or by using a liquid acrylic resist. In all forms of etching the acid resist is commonly referred to as "the ground." An aquatint box is used to apply resin powder.
A ground is waxy material applied to the surface of a metal etching plate. A metal etching plate is a piece of sheet metal, usually copper, zinc, steel, or aluminium.The ground resists the acid or mordant which is used for etching, protecting areas of the metal plate.
Maurice R. Bebb (1891–1986) (or M. R. Bebb as he signed his work) was a notable etcher and printmaker of the American Midwest, whose best-known subjects were birds native to Oklahoma and Minnesota, where he spent his time.
Felicien Rops had been an early adopter of soft ground etching, using several types of paper in a single plate. Rassenfosse worked with him to develop a special soft ground mixture for reworking intaglio plates to which crayon drawings had been transferred photomechanically. The formula, which they called "Ropsenfosse", was finalized in 1892.
Soft-ground etching, reworked with watercolor, gouache, and colored pencil: sheet, 22 5/8 × 21 1/2 inches. Edition of 12 [1] Spider Woman (2005). Drypoint: plate, 6 7/8 × 9 1/2 inches; sheet, 13 1/2 × 13 1/2 inches. Edition of 25 [1] Spiral Woman (2006). Double-sided soft-ground etching with watercolor, gouache, crayon, and graphite: plate ...
Engraving, aquatint, and soft ground. 12 x 15 3/8 in. Barooshian is a restless innovator with work that has moved through many periods with varying styles and transitions. However, Barooshian defines himself as a Biomorphic Abstract Surrealist [ 4 ] after his first personal artistic breakthrough and mature style.
Clements first introduced Hale to etching while the pair was traveling in Europe. In terms of the etching process, Hale, like her contemporaries, used copper plates to produce clean, well-defined impressions. Hale experimented with a variety of etching techniques, including hard-ground, soft-ground, aquatint, and color inking. [2]
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