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The first Paris music hall built specially for that purpose was the Folies-Bergere (1869); it was followed by the Moulin Rouge (1889), the Alhambra (1866), the first to be called a music hall, and the Olympia (1893). The Printania (1903) was a music-garden, open only in summer, with a theater, restaurant, circus, and horse-racing.
The following is a chronological list of French artists working in visual or plastic media (plus, for some artists of the 20th century, performance art). For alphabetical lists, see the various subcategories of Category:French artists. See other articles for information on French literature, French music, French cinema and French culture.
Compared with the 17th century Baroque, Rococo implies a lighter and more playful decorative art; the nude female is frequently featured; chinoiserie is also fashionable. Some of the artists that are most often grouped as "Rococo" are listed below. See as well Régence, Louis XV of France, Palace of Versailles. Antoine Watteau (1684–1721) painter
The latter half of the 18th century continued to see French preeminence in Europe, particularly through the arts and sciences, and the French language was the lingua franca of the European courts. The French academic system continued to produce artists, but some, like Jean-Honoré Fragonard and Jean-Baptiste-Siméon Chardin , explored new and ...
The group began to develop a revivalist and nostalgic style, inspired by 18th century literature and painting, and to follow a way of life similar to that of the old aristocracy, with its salons and sophisticated habits, attracting the attention of other writers and poets. Soon their number would become considerable, giving rise to a romantic ...
Romanticism (Romantisme in French) was a literary and artistic movement that appeared in France in the late 18th century, largely in reaction against the formality and strict rules of the official style of neo-classicism.
From the 17th to the 20th century, the Académie de peinture et sculpture organized official art exhibitions called salons. To show at a salon, a young artist needed to be received by the Académie by first submitting an artwork to the jury; only Académie artists could be shown in the salons.
A native of Paris, Boucher was the son of a lesser known painter Nicolas Boucher, who gave him his first artistic training. At the age of seventeen, a painting by Boucher was admired by the painter François Lemoyne. Lemoyne later appointed Boucher as his apprentice, but after only three months, he went to work for the engraver Jean-François Cars.
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