Search results
Results from the WOW.Com Content Network
Narmer Palette (verso) Below the bovine heads is what appears to be a procession. Narmer is significantly larger than anyone else on that register, an artistic convention known variously as hierarchical proportion, hierarchic scale [24] or hierarchy of scale. As on the recto, his disproportionate size reinforces the ideas of conquest and ...
The archaeological evidence suggest that the unification began before Narmer, but was completed by him through the conquest of a polity in the north-west Delta as depicted on the Narmer Palette. [50] The importance that Narmer attached to his "unification" of Egypt is shown by the fact that it is commemorated not only on the Narmer Palette, but ...
The palettes later adopted a rounder shape like the Narmer Palette. [13] King Narmer's palette was the earliest piece of its kind. It has decorations of the King smiting the enemies of Egypt and the unification of Upper and Lower Egypt, as well as a cavity for the grinding of cosmetics, making it a double purposed palette.
The Bull Palette (French: palette célébrant une victoire) is the fragment of an Ancient Egyptian greywacke palette, carved in low relief and used, at least in principle, as a cosmetic palette for the grinding of cosmetics. It is dated to Naqada III, the final two centuries of the fourth millennium BC, immediately preceding the Early Dynastic ...
In Egyptian history, the Upper and Lower Egypt period (also known as The Two Lands) was the final stage of prehistoric Egypt and directly preceded the unification of the realm. The conception of Egypt as the Two Lands was an example of the dualism in ancient Egyptian culture and frequently appeared in texts and imagery, including in the titles ...
Relief with Ashurbanipal killing a lion, c. 645–635 BC. The king shoots arrows from his chariot, while huntsmen fend off a lion behind. The royal Lion Hunt of Ashurbanipal is shown on a famous group of Assyrian palace reliefs from the North Palace of Nineveh that are now displayed in room 10a of the British Museum.
Naqada III. The Narmer Palette, thought to mark the unification of Upper and Lower Egypt; note the images of the goddess Bat at the top, as well as the serpopards that form the central intertwined image. Naqada III is the last phase of the Naqada culture of ancient Egyptian prehistory, dating from approximately 3200 to 3000 BC. [2]
The Narmer macehead is an ancient Egyptian decorative stone mace head. [ 1 ] It was found in the "main deposit" in the temple area of the ancient Egyptian city of Nekhen (Hierakonpolis) by James Quibell in 1898. [ 2 ] It is dated to the Early Dynastic Period reign of king Narmer (c. 31st century BC) whose serekh is engraved on it.