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20th Century Fox (Color Systems Technology [4]) [438] 1993: 20th Century Fox (American Film Technologies) [citation needed] 2006: 20th Century Fox (Legend Films) [citation needed] Miss Annie Rooney: 1942: 1988: Color Systems Technology [439] Missile to the Moon: 1958: 2007: Legend Films [440] The Mask of Fu Manchu: 1932: 1992: Turner ...
Additive (3 color) Dumas, Grosset, and Marx Unknown Ferraniacolor: 1952 Subtractive (3 color) Toto in Color (1952) Fox Lenticular Film: 1953 Lenticular (3 color) Twentieth Century-Fox N/A (experimental) Fujicolor: 1953 Subtractive (3 color) Adventure of Natsuko (1953) Polavision: 1977 Additive (3 color) mosaic Polaroid Corp. Super 8mm only
A nice way to take the movie audience on a sightseeing tour of Rome, with a flying side trip to Venice, through the courtesy of CinemaScope, has been devised in Three Coins in the Fountain, a handsomely colored romance that 20th Century-Fox delivered to the Roxy yesterday. The trick is to underpin the picture with flimsy and harmless accounts ...
20th Century-Fox 1940 Adventure, Comedy, Family, Fantasy Feature Arthur C. Miller, Ray Rennahan: US Chad Hanna: 20th Century-Fox 1940 Drama, Romance Feature Ernest Palmer, Ray Rennahan US Dr. Cyclops: Paramount Pictures 1940 Adventure, Drama, Horror, Sci-Fi Feature Henry Sharp, Winton C. Hoch: US Down Argentine Way: 20th Century-Fox 1940
List of 20th Century Fox films (2000–2020) External links. 20th Century Studios This page was last edited on 21 January 2025, at 04:16 (UTC). Text is available ...
20th Century-Fox also had two big science-fiction hits in the decade: Fantastic Voyage (1966), and the original Planet of the Apes (1968), starring Charlton Heston, Kim Hunter, and Roddy McDowall. Fantastic Voyage was the last film made in CinemaScope; the studio had held on to the format while Panavision lenses were being used elsewhere.
Fox 2000 Pictures was an American film production company within The Walt Disney Studios.It was a sister studio of the larger film studios 20th Century Fox and Fox Searchlight Pictures, specializing in producing independent films in mid-range releases that largely targeted underserved groups. [1]
Some studios sought to compensate for these effects by shooting color films with a full aperture gate (rather than the academy aperture) and then reducing the image in Technicolor's optical printer. This process is a predecessor of today's Super 35 format, which also uses a 1.85:1 ratio but one-third more frame area than does a standard 1.85:1 ...