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Persona is a 1966 Swedish avant-garde psychological drama film [n 1] written, directed, and produced by Ingmar Bergman and starring Bibi Andersson and Liv Ullmann.The story revolves around a young nurse named Alma (Andersson) and her patient, well-known stage actress Elisabet Vogler (Ullmann), who has suddenly stopped speaking.
List of accolades and awards for Ingmar Bergman Signature Ingmar Bergman (14 July 1918 – 30 July 2007) was a Swedish director, writer, and producer who worked in film, television, theatre and radio. He is recognized as one of the most accomplished and influential filmmakers of all time, and is well known for films such as The Seventh Seal (1957), Wild Strawberries (1957), Persona (1966 ...
Andersson's intense portrayal of a nurse in the film Persona (1966) – in which actress Elizabet Vogler (Liv Ullmann), suffering from a psychosomatic condition, is mostly mute – involved her delivering the majority of the dialogue. [8] For her performance in Persona, she won the award for Best Actress at the 4th Guldbagge Awards. [10]
This review is transcluded from Talk:Persona (1966 film)/GA1. The edit link for this section can be used to add comments to the review. Reviewer: ManKnowsInfinity (talk · contribs) 21:48, 6 December 2017 (UTC) This article has had a good amount of effort put into it and the subject of article is of high importance to cinema studies.
The Pervert's Guide to Cinema is a 2006 documentary directed and produced by Sophie Fiennes, and scripted and presented by Slavoj Žižek.It explores a number of films from a psychoanalytic theoretical perspective.
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Persona (1966 film) The Pleasure Garden (1961 film) Port of Call (1948 film) Prison (1949 film) Private Confessions; S. Saraband; Sawdust and Tinsel; Scenes from a ...
In Ingmar Bergman's 1963 film The Silence, the young son is seen reading the book in bed. In the opening sequence of Bergman's next film, Persona (1966), the same child actor is seen waking in what appears to be a mortuary and reaching for the same book.
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related to: persona 1966 film analysis