Search results
Results from the WOW.Com Content Network
The term chino mestizo was also used interchangeably with mestizo de sangley. In 16th to 19th century Spanish Philippines, the term mestizo de sangley differentiated ethnic Chinese from other types of island mestizos (such as those of mixed Indio and Spanish ancestry, who were fewer in number.
Mestizos as illustrated in the Carta Hydrographica y Chorographica de las Yslas Filipinas, 1734. In the Philippines, Filipino Mestizo (Spanish: mestizo (masculine) / mestiza (feminine); Filipino/Tagalog: Mestiso (masculine) / Mestisa (feminine)), or colloquially Tisoy, is a name used to refer to people of mixed native Filipino and any foreign ancestry. [3]
Chinese mestizo (Philippine Spanish: mestizo de Sangley / chinito (masculine) / chinita (feminine); Filipino/Tagalog: Mestisong Tsino / Tsinito (masculine) / Tsinita (feminine); Philippine Hokkien Chinese: 出世仔 / 出世; Pe̍h-ōe-jī: Chhut-sì-á / Chhut-sì, Mandarin simplified Chinese: 华菲混血; traditional Chinese: 華菲混血 ...
Chinese Filipino mestizos (Mestizos de Sangley y Chino) Tipos del País Watercolor, c. 1841 Illustration of a Filipino mestizo , c. 1841 Exhibition: The Asuncion Legacy, Ayala Museum, August 8, 2017 to January 14, 2018
Gaspar de la Torre y Ayala, the Governor-General of the Philippines was a "Peninsulares" Filipino. Prominent Filipino political figure José Rizal was a Filipino "Torna atrás" of mixed indigenous, Spanish and East Asian ancestry. Former Philippine President Manuel L. Quezon, a "Mestizo" of mixed Indigenous and Spanish ancestry.
Ana Morales started her professional career in the Teatro de La Maestranza during the Bienal de Sevilla 2000 with the show Puntales, directed by Antonio “El Pipa”.In 2001 she joined the Compañía Andaluza de Danza (CAD) and toured national and international theaters and festivals for four years with the following shows: Encuentros, Picasso, Paisajes, José Antonio Ruiz's La Leyenda ...
"La saeta, pues, costituye la síntesis antropológica del andaluz (hondura, plástica, señorío, dolor metafísico) coronada en santidad. La saeta exige un máximo de veracidad pasional, por lo mismo que a nadie le es dado encaramarse en la audacia de sus ayes sin la potencia y la certeza que brinda la posesión heroica del dolor."
Damián Domingo y Gabor (February 12, 1796 – July 27, 1834) was the father of Philippine painting. Domingo established the official Philippine art academy in his residence in Tondo in 1821. Domingo established the official Philippine art academy in his residence in Tondo in 1821.