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Concerto for tenor saxophone and orchestra (1992)—Eric Ewazen; Concerto for tenor saxophone and orchestra with piano obbligato (2007)—David DeBoor Canfield "Graffiti Play", concerto for Tenor Saxophone, contemporary Jazz Trio (ts, bs, drs) & chamber orchestra (2014)—Esa Pietilä; Concerto for tenor saxophone and small orchestra (2015 ...
Despite being a common grouping in jazz, saxophone, piano and percussion was an extremely rare grouping in classical music until the end of the 20th century, when Trio Accanto started commissioning works to build a repertoire for themselves.
The tenor saxophone is a medium-sized member of the saxophone family, a group of instruments invented by Adolphe Sax in the 1840s. The tenor and the alto are the two most commonly used saxophones. The tenor is pitched in the key of B ♭ (while the alto is pitched in the key of E ♭ ), and written as a transposing instrument in the treble clef ...
Stan Getz (born Stanley Gayetski; February 2, 1927 – June 6, 1991) was an American jazz saxophonist.Playing primarily the tenor saxophone, Getz was known as "The Sound" because of his warm, lyrical tone, with his prime influence being the wispy, mellow timbre of his idol, Lester Young.
In 2006, Rollins went on to complete a Down Beat Readers Poll triple win for: "Jazzman of the Year", "#1 Tenor Sax Player", and "Recording of the Year" for the CD Without a Song: The 9/11 Concert. The band that year featured his nephew, trombonist Clifton Anderson , and included bassist Cranshaw, pianist Stephen Scott , percussionist Kimati ...
Coleman Randolph Hawkins (November 21, 1904 – May 19, 1969), nicknamed "Hawk" and sometimes "Bean", was an American jazz tenor saxophonist. [1] One of the first prominent jazz musicians on his instrument, as Joachim E. Berendt explained: "there were some tenor players before him, but the instrument was not an acknowledged jazz horn". [2]
"Lester Leaps In" is a jazz standard originally recorded by Count Basie's Kansas City Seven in 1939. [1] The composition, credited to the group's tenor saxophone player Lester Young, is a contrafact based on the chord progression of "I Got Rhythm", and serves as a vehicle for interweaving solos by Young and Basie.
The Joy of Sax (Chiaroscuro, 1974) Jazz Meeting in Holland (Circle, 1975) Song of the Tenor (Philips, 1975) Two Beautiful (Circle, 1976) Bucky and Bud (Flying Dutchman, 1976) Live in Harlem (Cat, 1978) California Session (Jazzology, 1982) The Real Bud Freeman (1984) (Principally Jazz, 1985) Superbud (Jazzology, 1992) [5] With Rex Stewart and ...
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