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Biro za izgubljene stvari: Svetislav Bata Prelić: Na Lepom Plavom Dunavu On the Beautiful Blue Danube: Darko Bajić: Branislav Lečić, Bojana Maljević, Ana Franić: Comedy: The Tour Turneja: Goran Marković: Dragan Nikolić, Mira Furlan, Jelena Đokić, Gordan Kičić, Tihomir Stanić: War/Black Comedy: Bledi mesec Pale moon: Ljubiša ...
Leptirica (Serbian Cyrillic: Лептирица, lit. 'The She-Butterfly') is a 1973 Yugoslav made-for-TV folk horror film directed by the Serbian and Yugoslav director Đorđe Kadijević and based on the short story After Ninety Years (1880) written by Serbian writer Milovan Glišić. [2]
Српски / srpski; ... Download QR code; Print/export ... Serbian film series (1 P) Serbian films by genre (22 C) * Lists of Serbian films (5 P)
Other film pioneers from Vojvodina are Aleksandar Lifka and Vladimir Totović. [15] Stanislav Krakov was a notable documentary filmmaker and writer. His movie Golgota Srbije (1930) is notable for its depiction of the interwar period. [16] In 1931, the government introduced a new state law covering cinema, which promoted the rise of domestic ...
The film cuts to a scene in 1993 when Luka, posing as a newspaper salesman, was invited to sit with Teja, Maki and Gipsani at a kafana. Luka was a staunch communist at the time and loathed Teja for his anti-communist rants.
A Serbian Film (Serbian: Српски филм, Srpski film) is a 2010 Serbian exploitation horror film produced and directed by Srđan Spasojević in his feature directorial debut, with Aleksandar Radivojević co-writing. [4]
Montevideo, God Bless You! (Serbian: Монтевидео, Бог те видео!, romanized: Montevideo, Bog te video!; internationally titled Montevideo, Taste of a Dream) is a 2010 Serbian sports comedy film directed by Dragan Bjelogrlić about the events leading to the participation of the Yugoslavia national football team at the first FIFA World Cup in Montevideo, Uruguay in July 1930.
Clip (Serbian: Клип, romanized: Klip) is a 2012 Serbian drama film written and directed by Maja Miloš, her first time directing, and starring Isidora Simijonović in her first film role. The film's title derives from the many short cell phone videos made by the film's central character, Jasna (Simijonović), a troubled teenager whose ...