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  2. Cinema 1: The Movement Image - Wikipedia

    en.wikipedia.org/wiki/Cinema_1:_The_Movement_Image

    L'image-mouvement) (1983) is the first of two books on cinema by the philosopher Gilles Deleuze, the second being Cinema 2: The Time Image (French: Cinéma 2. L'image-temps ) (1985). Together Cinema 1 and Cinema 2 have become known as the Cinema books, the two volumes both complementary and interdependent. [ 1 ]

  3. Cinema 2: The Time-Image - Wikipedia

    en.wikipedia.org/wiki/Cinema_2:_The_Time-Image

    Cinema 2: The Time-Image (French: Cinéma 2, L'image-temps) (1985) is the second volume of Gilles Deleuze's work on cinema, the first being Cinema 1: The Movement-Image (French: Cinéma 1.

  4. Gilles Deleuze - Wikipedia

    en.wikipedia.org/wiki/Gilles_Deleuze

    Gilles Louis René Deleuze (/ d ə ˈ l uː z / də-LOOZ; French: [ʒil dəløz]; 18 January 1925 – 4 November 1995) was a French philosopher who, from the early 1950s until his death in 1995, wrote on philosophy, literature, film, and fine art.

  5. Category:Works by Gilles Deleuze - Wikipedia

    en.wikipedia.org/wiki/Category:Works_by_Gilles...

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  6. The Hourglass Sanatorium - Wikipedia

    en.wikipedia.org/wiki/The_Hourglass_Sanatorium

    Interpreting The Hourglass Sanatorium through the prism of Gilles Deleuze's and Feliks Guattari's theory of rhizomes, Jakubowska noticed that not only the film's non-linear narrative, but also the presence in the film world of shoots, ivy and ferns growing luxuriantly in various directions proves the artistic implementation of the idea of ...

  7. Minor cinema - Wikipedia

    en.wikipedia.org/wiki/Minor_cinema

    The link to cinema would be smoothly elaborated in Deleuze's The Time-Image (1985). [3] Film scholar Tom Gunning used the term to single out filmmakers that made films simply for the sake of making films; affirming their own marginality without for that matter being antagonistic (see also scholar Meaghan Morris ), devoting themselves to non ...

  8. Desiring-production - Wikipedia

    en.wikipedia.org/wiki/Desiring-production

    Deleuze and Guattari oppose the Freudian conception of the unconscious as a representational "theater", instead favoring a productive "factory" model: desire is not an imaginary force based on lack, but a real, productive force. They describe the machinic nature of desire as a kind of "desiring-machine" that functions as a circuit breaker in a ...

  9. Deterritorialization - Wikipedia

    en.wikipedia.org/wiki/Deterritorialization

    Gilles Deleuze and Félix Guattari note that deterritorialization and reterritorialization occur simultaneously. The function of deterritorialization is defined as "the movement by which one leaves a territory", also known as a "line of flight", but deterritorialization also "constitutes and extends" the territory itself.

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