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Irezumi (入れ墨, lit. ' inserting ink ') (also spelled 入墨 or sometimes 刺青) is the Japanese word for tattoo, and is used in English to refer to a distinctive style of Japanese tattooing, though it is also used as a blanket term to describe a number of tattoo styles originating in Japan, including tattooing traditions from both the Ainu people and the Ryukyuan Kingdom.
The back, chest, legs, and arms offer space to accommodate more prominent designs. In contrast, smaller tattoos can be placed anywhere, including the ear, fingers, back of the neck, or the feet.
Tattoos have a rich history that stretches back thousands of years, but today, they’re experiencing a remarkable resurgence among women. Gone are the days when body art was primarily associated ...
Nakano was inspired when he saw a Yakuza (Japanese gangster) with a full-body tattoo in a public bathhouse when he was a young boy, "about eleven or twelve." [3] This inspired him to visit legendary tattoo artist Yoshitsugu Muramatsu, also known as Shodai Horiyoshi of Yokohama. [4]
A body suit or full body suit is an extensive tattoo, usually of a similar pattern, style or theme that covers the entire torso or the entire body. [1] They are associated with traditional Japanese tattooing as well as with some freak show and circus performers. [ 2 ]
Horimono can also refer to the practice of traditional tattooing in Japanese culture; while irezumi usually refers to any tattooing (and often has negative connotations in Japan), "horimono" is usually used to describe full-body tattoos done in the traditional style. [2]
The custom was first recorded in the 16th century but is believed to date back much further. The tattoos could represent pride in being a woman, beauty, and protection. [4] They were associated with rites of passage for women and could indicate marital status. The motifs and shapes varied from island to island.
Tomoe also is a personal name, dating at least back to Tomoe Gozen (巴御前), a famous female warrior celebrated in The Tale of the Heike account of the Genpei War. In Kyoto's Jidai Matsuri festival, she appears in the Heian period section of the procession in samurai costume, and parades as a symbol of feminine gallantry. [34]
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