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Stanislav Binički (music) and Miloje Popović Kavaja (text) 1914/1964 Vizije pred Skadrom [2] Stanislav Vinaver: Iz spjeva „Nemanja” [2] Stanislav Vinaver: Otadžbini [2] Stanislav Vinaver: Sveta Petka u Ohridu [3] Stanislav Vinaver: Oj, oblaci [3] Stevan Vladislav Kaćanski: Oj, stani pevče [2] Stevan Luković: Mir [3] Stevan Raičković ...
The "March on (or to) the Drina" (Serbian: Марш на Дрину, romanized: Marš na Drinu, pronounced [mârʃ na drǐːnu]) is a Serbian patriotic march which was composed to commemorate the Serbian victory in Battle of Cer during World War I and came to be seen as a symbol of Serbian resistance and victory in the World War I. Along with the other World War I song, Tamo daleko, it became ...
The Battle of Serbia was a joint Allied effort with the aim of establishing a strong foothold and mastering the central communication area of the German forces on the Balkans, i.e. Army Group F, during World War II. Actions on the ground were carried out by the NOVJ, and the Allies provided combat assistance, supplies and air support.
He composed the first Serbian opera, At Dawn (Serbian: Na uranku), in 1903. In 1911, Binički established the second Serbian Music School. He joined the Serbian Army following the outbreak of World War I and composed one of his most famous works, March on the Drina, following the Serbian victory at the Battle of Cer.
Vidovdan is one of the most important religious holidays of the Serbs, Serbian Orthodox Church and Serbia, as it is of great a historical importance because of the Battle of Kosovo which was fought between Medieval Serbia and the invading Ottoman Empire on June 28, 1389. The lyrics refer to the battle and Serbs of Kosovo.
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"We Love You, Our Fatherland" (Serbian: Волимо те отаџбино наша / Volimo te otadžbino naša) is a 1997 Serbian patriotic song written by Stanoje Jovanovic (lyrics) and Rade Radivojević (composer). [1] The song was popular in Serbia during the 1999 NATO bombing of Yugoslavia. [2]
Onamo, 'namo! cemented Nicholas' reputation as an accomplished poet among his subjects, as well as the Serb population of the Balkans more broadly. [11] [c] "The people accepted this poem as their battle song," the historian Olga Zirojević writes, "as a call to liberate those Serbian people still under Turkish occupation, as a great national duty which had to be accomplished."