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The Missa Luba is a setting of the Latin Mass sung in styles traditional to the Democratic Republic of the Congo.It was composed by Fr Guido Haazen, a Franciscan friar from Belgium, and originally celebrated, performed, and recorded in 1958 by Les Troubadours du Roi Baudouin (English: "King Baudouin's Troubadours"), a choir of adults and children from Kamina, Katanga Province.
Music for the Requiem Mass is any music that accompanies the Requiem, or Mass for the Dead, in the Catholic Church. This church service has inspired hundreds of compositions, including settings by Victoria , Mozart , Berlioz , Verdi , Fauré , Dvořák , Duruflé and Britten .
Asterism (stylized as ASTERISM) is a Japanese rock band formed in Fukuoka in 2014 by brothers Mio (drums) and Miyu (bass) and Hal-ca (guitar).. The band has toured the United States, South Korea, China, Saudi Arabia, Thailand, Singapore, and Japan, including performances at SXSW Music Festival, Taihu Midi Festival, and Knotfest Japan.
Mass song (Russian: массовая песня Massovaya pesnya) was a genre of Soviet music that was widespread in the Soviet Union. A mass song was written by a professional or amateur composer for individual or chorus singing and intended for "broad masses" of Soviet people.
Harold Gleason and Warren Becker, Music in the Middle Ages and Renaissance (Music Literature Outlines Series I). Bloomington, Indiana. Frangipani Press, 1986. ISBN 0-89917-034-X; Lewis Lockwood, "Mass" The New Grove Dictionary of Music and Musicians, ed. Stanley Sadie. 20 vol. London, Macmillan Publishers Ltd., 1980. ISBN 1-56159-174-2
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The three songs no longer available for download for users who don't already own them are those included in the "Holiday 3-Song Pack". [citation needed] Almost all songs are available to buy individually. Songs by the same artist are often available as "Song Packs", which include three or more songs, for a discounted price.
Give Us Rest follows the former sextet's applauded Church Music, in which every track was infused with more electronic textures than used before. Critically, it was met with various descriptors for the songs' sounds, including techno, progressive rock, experimental, and even disco-rock, which was attributed to the 13th track "Church Music - Dance (!)".