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"Lola" is a song by the English rock band the Kinks, written by frontman Ray Davies for their 1970 album Lola Versus Powerman and the Moneygoround, Part One. The song details a romantic encounter in a Soho bar between a young man and Lola, who is possibly a trans woman or cross-dresser .
The Kinks expanded on their English sound throughout the remainder of the 1960s, incorporating elements of music hall, folk, and baroque music through use of harpsichord, acoustic guitar, Mellotron, and horns, in albums such as Face to Face, Something Else by the Kinks, The Kinks Are the Village Green Preservation Society, and Arthur (Or the ...
It contrasts heavily with some of the other tracks on the album, featuring heavy guitar chords and fast-paced vocals. "Rats" marks an end somewhat to Dave Davies' contributions to Kinks albums, as ones preceding Lola versus Powerman and beginning with Kinda Kinks usually included one or two songs credited to Davies.
“Lola” helped revive the fortunes of the Kinks, a band that first broke through as part of the British Invasion in the 1960s and scored early hits with power-chord classics like “You Really ...
The Kinks seemed close to reuniting in 2003, but then in 2004 Dave suffered a stroke, halting any musical plans as he relearned walk, talk, sing, and play guitar.
The Kinks, around the time of the recording of Lola Versus Powerman; from left: John Gosling, Dave Davies, Mick Avory, John Dalton, Ray Davies. The Kinks' ban by the American Federation of Musicians on performing in America, which had been in force since their 1965 US tour, [4] [5] was lifted in 1969, so the group's management arranged a North American tour. [6]
The Kinks were signed to Pye Records in late 1963, and Dave Davies turned 17 three days before the first Kinks single (a version of "Long Tall Sally") was issued in early 1964. Davies was solely responsible for the signature distorted power chord sound on the Kinks' first hit, " You Really Got Me ". [ 4 ]
The track borrows the main riff from The Kinks' 1964 song, "All Day and All of the Night", which was one of the band's first hits. [2] The lyrics feature the return of the transvestite title character from The Kinks' 1970 hit song, "Lola"; in "Destroyer", the singer brings Lola to his place where he becomes increasingly paranoid .