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However, in the eighteenth and nineteenth century types and lettering in the Didone or modern serif style tended to a style with sharp contrast in stroke width and capital letters of near equal width, the opposite of the Roman capital model where capitals had widely varying width.
Its lowercase letters are key in separating Spencerian script from its predecessor, Copperplate script, otherwise known as English roundhand, as Spencerian lowercase letters tend to look more delicate and less shaded than those of Copperplate (shading entirely absent from 'i', vertical ascender of 't' and 'd' and the descender stem of 'p'). [10]
Florey, Kitty Burns (January 20, 2009). Script and Scribble: The Rise and Fall of Handwriting (First ed.). Melville House. ISBN 978-1933633671.; The Palmer Method of Business Writing: A Series of Self-teaching Lessons in Rapid, Plain, Unshaded, Coarse-pen, Muscular Movement Writing for the Home Learner, Where an Easy and Legible Hand-writing is Sought.
Folio 14 recto of the Vergilius Romanus, author portrait of Virgil.. Rustic capitals (Latin: littera capitalis rustica) is an ancient Roman calligraphic script. Because the term is negatively connoted supposing an opposition to the more 'civilized' form of the Roman square capitals, Bernhard Bischoff prefers to call the script canonized capitals.
Roman cursive writing connected the strokes of differing letters to facilitate writing without lifting the writing utensil. The angles of standard letters were written as curves in Roman cursive due to ease of tracing curvatures with contemporary calligraphy tools. Curves in Roman cursive were smaller than curves in standard Latin calligraphy ...
The capital letters are the same as the Humanist capitals, modeled on Roman square capitals. The Italian scholar Niccolò de' Niccoli was dissatisfied with the lowercase forms of Humanist minuscule, finding it too slow to write. In response, he created the Italic script, which incorporates features and techniques characteristic of a quickly ...
Lombardic capitals is the name given to a type of decorative uppercase letter used in inscriptions and, typically, at the start of a section of text in medieval manuscripts. [1] They are characterized by their rounded forms with thick, curved stems. Paul Shaw describes the style as a "relative" of uncial writing. [2]
Calligraphy is widely practiced in China, which employs scripts such as Kaishu (standard), Xingshu (semi-cursive), and Caoshu (cursive). [22] Chinese calligraphy is meant to represent the artistic personality in a way western calligraphy cannot, and therefore penmanship is valued higher than in any other nation. [23]
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