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Bright Eyes vs Her Space Holiday: Her Space Holiday: Wichita (WEBB005S) 7-inch, CD Insound Tour Support Series No. 12: Son, Ambulance: Insound (INS12) CD 2001 Oh Holy Fools: The Music of Son, Ambulance & Bright Eyes: Son, Ambulance Saddle Creek (LBJ-34) 12-inch, CD Mote/Dust: The Faint: Gold Standard Labs (GSL-47) 12-inch 2002 Collaboration ...
Lifted or The Story Is in the Soil, Keep Your Ear to the Ground is the fourth studio album by Bright Eyes and the 46th release of Saddle Creek Records.The band made its national television debut in support of the album, performing "The Trees Get Wheeled Away" (a track that was not on the album) on the Late Show with David Letterman.
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It should only contain pages that are Bright Eyes (band) albums or lists of Bright Eyes (band) albums, as well as subcategories containing those things (themselves set categories). Topics about Bright Eyes (band) albums in general should be placed in relevant topic categories .
"Little Drummer Boy" (A Christmas Album, 2002) "Loose Leaves" (There Is No Beginning to the Story, 2002) "Lover I Don't Have to Love" (3 More Hit Songs From Bright Eyes, 2002, and Lifted or The Story Is in the Soil, Keep Your Ear to the Ground, 2002) "Lovers Turn Into Monsters" (Insound Tour Support Series No. 12, 2000)
Documenting the I'm Wide Awake, It's Morning tours from the first half of 2005, Motion Sickness is a compilation of live tracks, including covers of Feist and Elliott Smith. It comes with a 24-page booklet featuring an extensive tour diary written by Jason Boesel (Bright Eyes live band/Rilo Kiley). This album is the sixth release of Team Love ...
Bright Eyes is an American indie rock band founded by singer-songwriter and guitarist Conor Oberst.It consists of Oberst, multi-instrumentalist and producer Mike Mogis, arranger, composer and trumpet and piano player Nate Walcott, and a rotating line-up of collaborators drawn primarily from Omaha's indie music scene.
I'm Wide Awake, It's Morning is the sixth studio album by American band Bright Eyes, released on January 25, 2005 by Saddle Creek Records (the same day as their seventh album, Digital Ash in a Digital Urn). The album was reissued by Dead Oceans alongside a six-track companion EP on November 11, 2022. [5]