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Self-portrait by Mir Sayyid Ali, Los Angeles County Museum of Art, 1550 Mir Sayyid Ali (Persian: میرسید علی, Tabriz, 1510 – 1572) was a Persian miniature painter who was a leading artist of Persian miniatures before working under the Mughal dynasty in India, where he became one of the artists responsible for developing the style of Mughal painting, under Emperor Akbar.
Sultan Mohammed, Mir Sayyid Ali, and Aqa Mirak, were leading painters of the next generation, the Safavid culmination of the classic style, whose attributed works are found together in several manuscripts. [47] Abd al-Samad was one of the most successful Persian painters recruited by the Mughal Emperors to work in India.
The huge scale of the work, which consisted of 759 pages total including 258 miniatures, would have required help from all the leading artists of the royal workshop. Some of the artists identified are Mir Sayyid Ali, Sultan Mohammad, Mizra-Ali (son of Sultan Mohammad) [23] Aqa Mirak, Mir Musavvir, Dust Muhammad, and likely Abd al-Samad. [24]
The Persian master artists Abd al-Samad and Mir Sayyid Ali, who had accompanied Humayun to India in the 16th century, were in charge of the imperial atelier during the formative stages of Mughal painting. Many artists worked on large commissions, the majority of them apparently Hindu, to judge by the names recorded.
Mir Musavvir (fl. 1510–48, died 1555) was a Persian painter at the Safavid court at Tabriz and later the Mughal court at Kabul. During his time at the royal Safavid workshop, he contributed to the Shahnameh of Shah Tahmasp. He was the father of Mir Sayyid Ali, who adopted his occupation of painting. [1]: 51 Mir Musavvir moved to Tabriz from ...
Mir Sayyid Ali, the prophet Elias rescuing Prince Nur ad-Dahr from drowning in a river, from the Akbar Hamzanama. The Akbar Hamzanama (also known as Akbar's Hamzanama) is an enormous illustrated manuscript, now fragmentary, of the Persian epic Hamzanama commissioned by the Mughal emperor Akbar around 1562.
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Kashmiri papier-mâché is a handicraft of Kashmir that was brought by Muslim saint Mir Sayyid Ali Hamadani from Persia in the 14th century to medieval India. It is based primarily on paper pulp, and is a richly decorated, colourful artifact; generally in the form of vases, bowls, or cups (with and without metal rims), boxes, trays, bases of ...
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