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‘Hope's designs were put into general circulation by George Smith, the author of a pattern book which quickly followed Hope's publication and had practically the same title: A Collection of Designs for Household Furniture and Interior Decoration, 1808. Little so far is known about Smith’s career.
Anna Grace Ida Christie (1872–1953) was an English embroiderer, teacher and historian of embroidery who published a comprehensive work on opus anglicanum in 1938, documenting every known example. "She is regarded as one of the most influential people in the early twentieth century with respect to the development of embroidery and embroidery ...
In free or surface embroidery, designs are applied without regard to the weave of the underlying fabric. Examples include crewel and traditional Chinese and Japanese embroidery. Counted-thread embroidery patterns are created by making stitches over a predetermined number of threads in the foundation fabric.
The scheme was started by the four Scottish art schools, Aberdeen, Dundee, Edinburgh and Glasgow in 1934 under the name Needlework Development in Scotland Scheme.The project was a collaboration between industry and art education, that was to help elevate the standard of design and technique in Scottish embroidery.
The most common designs were Old Testament scenes featuring Adam and Eve, Moses and Aaron, Solomon and the Queen of Sheba, or David playing his harp, and New Testament scenes and figures of the saints. There were also allegorical figures, such as Peace and Plenty or Faith and Hope, flora and fauna, and heraldic subjects. The use of portraits ...
Books typically include a grouping of designs from a single designer such as Kaffe Fassett or Candace Bahouth, or may be centered on a theme such as Christmas or Victorian Needlepoint. Leaflets usually include one to two designs and are usually printed by the individual designer. Free-form needlepoint designs are created by the stitcher.
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To make arts and crafts more accessible to a wider audience, in 1880 the school published the Handbook of Embroidery. It was written by Letitia Higgin and edited by the school's vice-President. It included commissioned illustrations by Gertrude Jekyll, William Morris, Edward Burne-Jones and Walter Crane. [13]
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