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Former slave Wes Brady in Marshall, Texas, in 1937 in a photo from the Slave Narrative Collection. Slave Narratives: A Folk History of Slavery in the United States (often referred to as the WPA Slave Narrative Collection) is a collection of histories by formerly enslaved people undertaken by the Federal Writers' Project of the Works Progress Administration from 1936 to 1938.
Unchained Memories: Readings from the Slave Narratives is a 2003 American documentary film about the stories of former slaves interviewed during the 1930s as part of the Federal Writers' Project and preserved in the WPA Slave Narrative Collection.
Between 1936 and 1938, The Works Project Administration (WPA) sent writers across the country to interview ordinary people about their experiences and life histories. [7] [8] Delia Garlic was interviewed by Margaret Fowler for the FWP, and her interview was one of hundreds that took place over the course of this project.
George Dillard's oral history was recorded in 1936 for the Slave Narrative Collection by the Federal Writers' Project. Notable FWP projects included the Slave Narrative Collection, a set of interviews that culminated in more than 2,300 first-person accounts of slavery and 500 black-and-white photographs of former slaves. [4]
Focusing on the perspective of the slave, new studies incorporated the slave narratives and WPA interviews: George Rawick's From Sunup to Sundown: The Making of the Black Community (1972), Eugene D. Genovese's Roll, Jordan, Roll: The World the Slaves Made (1974), Peter H. Wood, Black Majority: Negroes in Colonial South Carolina from 1670 ...
I Belong to South Carolina: South Carolina Slave Narratives. University of South Carolina Press. Hill Edwards, Justene (2021). Unfree Markets: The Slaves' Economy and the Rise of Capitalism in South Carolina. Columbia Studies in the History of U.S. Capitalism. New York: Columbia University Press. ISBN 978-0-231-54926-4. LCCN 2020038705.
The development of slave narratives from autobiographical accounts to modern fictional works led to the establishment of slave narratives as a literary genre.This large rubric of this so-called "captivity literature" includes more generally "any account of the life, or a major portion of the life, of a fugitive or former slave, either written or orally related by the slave himself or herself". [4]
The North Carolina Roots of African American Literature (editor, 2006) The Curse of Caste; or The Slave Bride by Julia C. Collins (co-editor, 2006) Life of William Grimes, the Runaway Slave (co-editor, 2008) The Portable Charles Chesnutt (editor, 2008) Slave Narratives after Slavery (editor, 2011) Life of John Thompson, a Fugitive Slave (editor ...