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The music for Dancemeditation is primarily acoustic or "mildly enhanced". Genres include world music, contemplative, classical, folk much of which has no lyrics or lyrics in languages that students will not typically understand. This allows for deeper levels of concentration within the Self as opposed to the lyrics moving the emotions.
The dance was "a kind of moving meditation" for her. [14] Christine Ottery, writing in The Guardian in 2011, states that "ecstatic dancing has an image problem" and "encompasses everything from large global movements such as 5Rhythms and Biodanza to local drum'n'dance meet-ups". She suggests that readers may "find 5 Rhythms a good place to ...
Simon Vouet, Saint Cecilia, c. 1626. Research into music and emotion seeks to understand the psychological relationship between human affect and music.The field, a branch of music psychology, covers numerous areas of study, including the nature of emotional reactions to music, how characteristics of the listener may determine which emotions are felt, and which components of a musical ...
Meditation music is music performed to aid in the practice of meditation.It can have a specific religious content, but also more recently has been associated with modern composers who use meditation techniques in their process of composition, or who compose such music with no particular religious group as a focus.
The music is lighter, the chant intimate, the dance emotional. [86] [89] The choreography attempts to express rasa (emotional taste) and a mood, while the recital may include items such as a keertanam (expressing devotion), a javali (expressing divine love) or something else. [86] [88] Tillana. The performance sequence ends with a Tillana, the ...
The Nritya is the expressive aspect of the dance that attempts to communicate a storyline, with emotions and feelings, with spiritual themes. [40] [41] In a nritya, the dance-acting (Abhinaya, Vaittari) expands to include silent expression of words through hand and facial gestures and body motion set to musical notes. The dancer articulates a ...
Khyāl (خیال) is an Urdu word of Arabic origin which means "imagination, thought, ideation, meditation, reflection". Hence khyal connotes the idea of a song that is imaginative and creative in either its nature or execution. The word entered India through the medium of the Persian language. Just as the word reflects ideas of imagination and ...
Sama is a means of meditating on God through focusing on melodies and dancing. It brings out a person's love of God, purifies the soul, and is a way of finding God. This practice is said to reveal what is already in one's heart, rather than creating emotions. [1]