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Rice cultivation and centralized leadership were introduced by these groups, shaping Japanese culture. Chinese dynasties, particularly the Tang dynasty, have influenced Japanese culture throughout history. After 220 years of isolation, the Meiji era opened Japan to Western influences, enriching and diversifying Japanese culture.
Nationalist politics in Japan sometimes exacerbated these tensions, such as denial of the Nanjing Massacre and other war crimes, [290] revisionist history textbooks, and visits by some Japanese politicians to Yasukuni Shrine, which commemorates Japanese soldiers who died in wars from 1868 to 1954, but also has included convicted war criminals ...
Japanization or Japanisation is the process by which Japanese culture dominates, assimilates, or influences other cultures. According to The American Heritage Dictionary of the English Language, "To japanize" means "To make or become Japanese in form, idiom, style, or character". [1]
Cultural history records and interprets past events involving human beings through the social, cultural, and political milieu of or relating to the arts and manners that a group favors. Jacob Burckhardt (1818–1897) helped found cultural history as a discipline.
Japan's actions during World War II made it necessary for the nation to rebuild their national image; moving away from a national image of military dominance and into an image of cultural diplomacy. Initiated by the Japanese government, the creation of the "soft power" image emerged, and Japan began to sell its pop culture as its new non ...
The Kei school (慶派, Kei-ha) was a Japanese school (style) of Buddhist sculpture which emerged in the early Kamakura period (c. 1200). Based in Nara, it was the dominant school in Buddhist sculpture in Japan into the 14th century, and remained influential until the 19th.
The Tale of the Bamboo Cutter (Japanese: 竹取物語, Hepburn: Taketori Monogatari) is a monogatari (fictional prose narrative) containing elements of Japanese folklore. Written by an unknown author in the late 9th or early 10th century during the Heian period , it is considered the oldest surviving work in the monogatari form.
As Japan became exposed to Western culture at the end of the Edo period, many bunjin began to incorporate stylistic elements of Western art into their own, though they nearly always avoided Western subjects and stuck strictly to traditional Chinese ones. Master Kuwayama Gyokushū (1746–1799) was the acutest theorist on Japanese literati painting.