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Walcott's work has received praise from major poets including Robert Graves, who wrote that Walcott "handles English with a closer understanding of its inner magic than most, if not any, of his contemporaries", [33] and Joseph Brodsky, who praised Walcott's work, writing: "For almost forty years his throbbing and relentless lines kept arriving ...
Derek Walcott's wrote "The Sea is History," and dramatized the impact of tropical storms and hurricanes on the locals. [18] Caribbean writing deploys agricultural symbolism to represent the complexities of colonial rule and the intrinsic values of the lands. Native fruits and vegetables appear in colonized and decolonizing discourse.
Derek Walcott's works often deal with Caribbean history, while he simultaneous searches for vestiges of the colonial era. Western literary canon is revised and given a completely new form, as in the poetry collection Omeros (1990). His poetic voice reflected a blend of his ear for the English language and his sense of his own people. [5]
Derek Walcott's Omeros (1990) is one of the most renowned epic poems of the 20th century and of the Caribbean. [24] The work is divided into seven books containing sixty-four chapters. Most of the poem is composed in a three-line form that is reminiscent of the terza rima form that Dante used for The Divine Comedy.
Postcolonial literature is the literature by people from formerly colonized countries, originating from all continents except Antarctica. Postcolonial literature often addresses the problems and consequences of the decolonization of a country, especially questions relating to the political and cultural independence of formerly subjugated people, and themes such as racialism and colonialism.
Omeros is an epic poem by Saint Lucian writer Derek Walcott, first published in 1990.The work is divided into seven "books" containing a total of sixty-four chapters. Many critics view Omeros as Walcott's finest work.
[3] Like most of Walcott's works, the play is set on a Caribbean island. The plot centers on the black Makak, who despises himself for being black. After being imprisoned for destroying things in a local market, he has a vision in jail of a white goddess, who pushes him to return to Africa.
Whether based on English, Portuguese, Spanish, Dutch or French, as in Haiti, creole is the language of collective memory, carrying a symbol of resistance. Creole is found in stories, songs, poetry (Saint-John Perse, Aimé Césaire, Derek Walcott), and novels (Patrick Chamoiseau, Raphaël Confiant).