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If an ellipsis ends the sentence, then there are three dots, each separated by a space, followed by the final punctuation (e.g. Hah . . . ?). In some legal writing, an ellipsis is written as three asterisks, *** or * * *, to make it obvious that text has been omitted or to signal that the omitted text extends beyond the end of the paragraph.
That is, the ellipsis can precede or follow its antecedent, e.g.: The man who wanted to order the salmon did order the salmon. The man who wanted to order the salmon did order the salmon. Of the various ellipsis mechanisms, VP-ellipsis has probably been studied the most and is therefore relatively well-understood.
A related point is that N-ellipsis must be introduced by a pre-noun element in the noun phrase. In other words, the ellipsis cannot be phrase-initial, e.g. *He likes papers about gapping and she likes papers about stripping. - Failed attempt at N-ellipsis; the ellipsis must be "introduced" *We have pictures of Sam, and we have pictures of Bill too.
Ellipsis is the narrative device of omitting a portion of the sequence of events, allowing the reader to fill in the narrative gaps. Aside from its literary use, the ellipsis has a counterpart in film production. It is there to suggest an action by simply showing what happens before and after what is observed.
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Ellipsis (linguistics), the omission from a clause of words otherwise syntactically required by remaining elements Verb phrase ellipsis , an elliptical construction in which a verb phrase has been left out (elided)
Susning.nu: a Swedish online wiki started in 2001; anyone-can-edit encyclopedia until 2004; shut down in 2009; Svensk uppslagsbok (2 editions, 31 and 32 volumes, 1929–1955) Svenska uppslagsverk: [15] a comprehensive bibliography maintained by collector Christofer Psilander; Swedish Wikipedia (Svenskspråkiga Wikipedia)