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Cakes and Ale, or, The Skeleton in the Cupboard (1930) is a novel by the British author W. Somerset Maugham. Maugham exposes the misguided social snobbery levelled at the character Rosie Driffield, whose frankness, honesty, and sexual freedom make her a target of conservative opprobrium. Her character is treated favourably by the book's ...
"Somerset Maugham Tells a Story of the Lady from Poona" 3 May 1951: News Chronicle "The Bidding Started Slowly" June 1952: The Connoisseur: Letter to the editor 8 October 1952: John O'London's Weekly "Looking Back on Eighty Years" 28 January 1954: The Listener "Somerset Maugham and the Greatest Novels" June – October 1954 The Sunday Times ...
William Somerset Maugham [n 2] CH (/ m ɔː m / MAWM; 25 January 1874 – 16 December 1965) [n 1] was an English writer, known for his plays, novels and short stories. Born in Paris, where he spent his first ten years, Maugham was schooled in England and went to a German university.
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Of Human Bondage is a 1915 novel by W. Somerset Maugham.The novel is generally agreed to be Maugham's masterpiece and to be strongly autobiographical in nature, although he stated, "This is a novel, not an autobiography; though much in it is autobiographical, more is pure invention."
The Narrow Corner is a novel by the British writer W. Somerset Maugham, published by William Heinemann in 1932. [1]A quote from Meditations, iii 10, by Marcus Aurelius, [2] introduces the work: "Short therefore, is man's life, and narrow is the corner of the earth wherein he dwells."
A character named "William Ashenden" is the narrator of Maugham's 1930 novel Cakes and Ale. [30] A character named Ashenden also appears in several other of Maugham's short stories. The character appears briefly in the book The Bloody Red Baron by Kim Newman. "Ashenden" is mentioned a number of times in the Mick Herron novel "Slow Horses".
The Painted Veil is a 1925 novel by British author W. Somerset Maugham. The title is a reference to Percy Bysshe Shelley's 1824 sonnet, which begins "Lift not the painted veil which those who live / Call Life". The novel was first published in serialised form in five issues of Cosmopolitan (November 1924 – March 1925).