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The instrument's construction shifted dramatically in the Qin and Tang dynasties (221 BC – 907 CE). Bianzhong decreased in size during this period, being limited to sets of 14, 16, and 24 bells. [5] Due to differences in bell construction, each zhong produced only one pitch. These bianzhong were tuned either to a seven-note scale or in twelve ...
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Its timbre is as clear as that of bronze musical instruments. During the spring and Autumn period , Confucius was an expert in making bianqing. During the reign of the Qianlong Emperor of the Qing dynasty (1736-1795), the special bianqing (now collected in the temple of heaven in Beijing) were made of Xinjiang Hetian Jasper, with a zigzag shape.
A carillon, which is a musical instrument consisting of at least 23 cast bronze cup-shaped bells, is tuned so that the bells can be played serially to produce a melody, or sounded together to play a chord. A traditional carillon is played by striking a baton keyboard with the fists, and by pressing the keys of a pedal keyboard with the feet.
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The sound produced is affected by the instrument's size, type of wood, and how hollow it is. Most wood instruments are of the ancient variety: Zhu (Chinese: 柷; pinyin: zhù) – a wooden box that tapers from the top to the bottom, played by hitting a stick on the inside, used to mark the beginning of music in ancient ritual music