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Italian fascism believed that the success of Italian nationalism required a clear sense of a shared past amongst the Italian people along with a commitment to a modernized Italy. [9] In a famous speech in 1926, Mussolini called for fascist art that was "traditionalist and at the same time modern, that looks to the past and at the same time to ...
Despite making such attacks, Mussolini tried to win popular support by appeasing the Catholic majority in Italy. In 1924, Mussolini saw to it that three of his children were given communion. In 1925, he had a priest perform a religious marriage ceremony for himself and his wife Rachele, whom he had married in a civil ceremony 10 years earlier ...
In 1871 the Braschi Onesti heirs sold the building to the Italian State, who made it the seat of the Ministry of Interior (now moved into Palazzo del Viminale). During the Italian fascist period, it was used as the political headquarters of Benito Mussolini , and was adorned with a giant sculpture of the dictator's face surrounded by the word ...
Fascist architecture in the form of Rationalism with elements of classical Roman architecture was born under dictator Benito Mussolini's rule of Italy from 1922 to 1943. Mussolini invested in public construction projects in order to foster economic development, to gain popular support and modernize the country.
The artists were called to translate the epic of the Fascist Revolution into plastic form making use of contemporary styles in graphic arts and architecture. The purpose of the Exhibition was, in Mussolini's words, to “create something ultramodern and audacious, free from melancholy memories of the decorative styles of the past.” [4]
Based on Italian author … The series chronicles Benito Mussolini’s rise to power and is particularly timely as populist leaders are sprouting up all over the world.
In “The March on Rome,” which world premiered in the Venice Days sidebar of Venice Film Festival, Northern Irish-Scottish filmmaker Mark Cousins tracks the ascent of fascism in Italy in the ...
From left: Luigi Zuccoli, Mario Radice, Neve Nizzoli, Manlio Rho, Marcello Nizzoli and Giuseppe Terragni Giuseppe Terragni (Italian: [dʒuˈzɛppe terˈraɲɲi]; 18 April 1904 – 19 July 1943) was an Italian architect who worked primarily under the fascist regime of Benito Mussolini and pioneered the Italian modern movement under the rubric of Rationalism. [1]