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The Joy of Music [1] is Leonard Bernstein's first book, originally published as a hardcover in 1959 by Simon & Schuster. [2] The first UK edition was published in 1960 by Weidenfeld & Nicolson . It was translated into German (1961), Danish (1969), Slovenian (1977), Hebrew (1973 and 1977), Chinese (1987). [ 3 ]
Simon Vouet, Saint Cecilia, c. 1626. Research into music and emotion seeks to understand the psychological relationship between human affect and music.The field, a branch of music psychology, covers numerous areas of study, including the nature of emotional reactions to music, how characteristics of the listener may determine which emotions are felt, and which components of a musical ...
In Shand's view, the emotion of sorrow, which he classifies as a primary emotion, has two impulses: to cling to the object of sorrow, and to repair the injuries done to that object that caused the emotion in the first place. Thus the primary emotion of sorrow is the basis for the emotion of pity, which Shand describes as a fusion of sorrow and ...
Sorrow may refer to: Sorrow (emotion) Sorrow, an 1882 drawing by Vincent van Gogh "Sorrow" (Bad Religion song), 2001 "Sorrow" (The McCoys song), also covered by The ...
The dictionary was first considered in 2006 when Koenig was studying at Macalester College, Minnesota and attempting to write poetry.The Dictionary of Obscure Sorrows was the idea he came up with that would contain all the words he needed for his poetry, including emotions that had never been linguistically described. [11]
A musician who plays any instrument with a keyboard. In Classical music, this may refer to instruments such as the piano, pipe organ, harpsichord, and so on. In a jazz or popular music context, this may refer to instruments such as the piano, electric piano, synthesizer, Hammond organ, and so on. Klangfarbenmelodie (Ger.)
Japanese woodblock print showcasing transience, precarious beauty, and the passage of time, thus "mirroring" mono no aware [1] Mono no aware (物の哀れ), [a] lit. ' the pathos of things ', and also translated as ' an empathy toward things ', or ' a sensitivity to ephemera ', is a Japanese idiom for the awareness of impermanence (無常, mujō), or transience of things, and both a transient ...
These are "Love, humility, sorrow, pity, joy, serenity, ecstasy". [14] Pugmire then suggests that devotional emotion is "The transfiguring of mundane emotion into what one might call emotion of the last instance, to the reception and expression of which religious imagery is especially well-suited, and not accidentally". [14]