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Its earliest forms came as editorial cartoons in magazines and newspapers such as Philippines Free Press and Asia-Philippines Leader. [3] One of top political cartoonists of the time was Danilo Dalena, who satirized public figures and criticized issues such as militarism, collusion with the U.S. government officials, and military abuses. [2]
This is a list of editorial cartoonists of the past and present sorted by nationality. An editorial cartoonist is an artist, a cartoonist who draws editorial cartoons that contain some level of political or social commentary. The list is incomplete; it lists only those editorial cartoonists for whom a Wikipedia article already exists.
Students who will compete in the National Schools Press Conference attend seminars before the actual competition. Preparation for the NSPC starts at the Division Level with the Division Schools Press Conference (DSPC). The editorial members of campus papers in a division compete in English or Filipino in different categories.
An editorial cartoonist, also known as a political cartoonist, is an artist who draws editorial cartoons that contain some level of political or social commentary. Their cartoons are used to convey and question an aspect of daily news or current affairs in a national or international context.
A political cartoon, also known as an editorial cartoon, is a cartoon graphic with caricatures of public figures, expressing the artist's opinion. An artist who writes and draws such images is known as an editorial cartoonist .
Magazines and newspapers such as Te con Leche and El Tio Verdades during the Spanish colonial period, followed by Lipang Kalabaw and the Philippines Free Press under the American rule, extensively criticized both the colonial powers and the local government through cartoons. [8] [9] Early political cartoons personified the nation as "Filipinas ...
Editorial cartooning awards (8 P) E. Editorial cartoons (23 P) N. National personifications (6 C, 106 P) Pages in category "Editorial cartooning"
An official sample of a Philippine passport with "Maria dela Cruz" as the fictitious placeholder owner of the document. Activists often portray Juan dela Cruz as a victim of American imperialism, especially since many editorial cartoons of the American period often depicted him alongside Uncle Sam either as a "Little Brown Brother" or as an Asian Partner.