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The first Chicago Film Critics Association Award for Best Cinematography went to Dean Semler for his work on Dances with Wolves. [3] The most recent recipient of this award is Jomo Fray for Nickel Boys. [4] Roger Deakins is the cinematographer with the most nominations (13); those have resulted in the most wins (4).
Peter Gilbert (born 1957 or 1958 [1]) is an American documentary filmmaker, film producer, and cinematographer. He was the cinematographer and one of the producers of Hoop Dreams, a 1994 documentary about two teenage basketball players in Chicago. [2]
Rush Street is a one-way street in the Near North Side community area of Chicago in Cook County, Illinois, United States.The street, which starts at the Chicago River between Wabash and North Michigan Avenues, runs directly north until it slants on a diagonal as it crosses Chicago Avenue then it continues to Cedar and State Streets, making it slightly less than a mile long. [1]
A. AACTA Award for Best Cinematography; Academy Award for Best Cinematography; Africa Movie Academy Award for Best Cinematography; American Society of Cinematographers Award for Outstanding Achievement in Cinematography in an Episode of a One-Hour Television Series – Commercial
Born in Chicago in 1892, Boyle enjoyed his first credit as a cinematographer in 1925. Three years later, he was the director of photography on one of the silent cinema's biggest comedy hits, Tillie's Punctured Romance.
Ribisi's interest in filmmaking dates back to his early days in Hollywood as a child actor. "I went to school on movie sets and in the basements of sound stages," he says.
In the second year, 1929, there were no nominations at all, although the Academy has a list of unofficial titles that were under consideration by the Board of Judges. In the third year, 1930, films, not cinematographers, were nominated, and the final award did not show the cinematographer's name.
Highly regarded by director Billy Wilder, Seitz worked with him on the films noir Double Indemnity (1944), The Lost Weekend (1945), and Sunset Boulevard (1950), receiving Academy Award nominations for each. During his career, he received seven nominations for Academy Award for Best Cinematography.