Search results
Results from the WOW.Com Content Network
No. 3, the first piece after the two seven-movement Partitas, is a Minuet in F major by an unknown composer (likely not Bach), adopted as No. 113 in the second annex (German: Anhang, Anh.), that is the annex of doubtful compositions, in the Bach-Werke-Verzeichnis (BWV). Petzold's Minuets in G major and G minor, BWV Anh. 114 and 115, are the ...
Stylistically refined minuets, apart from the social dance context, were introduced—to opera at first—by Jean-Baptiste Lully, who included no fewer than 92 of them in his theatrical works [2] and in the late 17th century the minuet was adopted into the suite, such as some of the suites of Johann Sebastian Bach and George Frideric Handel.
Minuet in G Major, No. 4 of Five Minuets with Six Trios, D 89 for string quartet by Franz Schubert Minuet in G (Paderewski) , Op. 14/1 by Ignacy Jan Paderewski Topics referred to by the same term
The Minuet in G, Op. 14/1, is a short piano composition by Ignacy Jan Paderewski, which became world-famous, overshadowing his more major works such as the Symphony in B minor "Polonia", the Piano Concerto in A minor, and the opera Manru. The minuet was written in 1887, the first of six pieces making up his Humoresques de concert, Op. 14. The ...
Christian Petzold (1677 – 1733) was a German composer and organist. He was active primarily in Dresden, and achieved a high reputation during his lifetime, but his surviving works are few. It was established in the 1970s that the famous Minuet in G major, previously attributed to Johann Sebastian Bach, was in fact the
62 Minuets Various Two-stave pieces, probably for keyboard. Some related to minuets in other works 559 Passepied C major c. 1721–1722 560 Passepied A major c. 1705 561 Prelude D minor c. 1705–1706 Version of the prelude to the Suite de pièce in D minor, Vol. 2 No. 4 (HWV 437) 562 Prelude (Harpeggio) D minor c. 1711–1712 563 Prelude D minor
Mozart wrote his minuets in ternary form; that is, first the minuet proper, then a contrasting trio section, followed by a return of the minuet. [ 5 ] Mozart also wrote a great number of minuets intended for listening rather than dancing: they occur (usually as the third of four movements) in his symphonies, string quartets, and many other works.
D 2D, Six Minuets for winds [formerly D 995] (1811; version for piano of Nos. 1–2) D 19B, Several Waltzes and a March for piano (1812 or 1813, lost) D 22, Twelve Minuets with Trios for piano (1812, lost) D 41, Thirty Minuets with Trios for piano (1813; Nos. 1–8, 11–18 and 20–23 are extant) D 91, Two Minuets, each with Two Trios for ...