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"Old Aunt Jemima" is an American folk song written by comedian, songwriter, and minstrel show performer Billy Kersands (circa 1842–1915). The song became the inspiration for the Aunt Jemima brand of pancakes, as well as several characters in film, television, and on radio, named "Aunt Jemima".
"Me and My Uncle", often also written as "Me & My Uncle," is a song composed by John Phillips of The Mamas and the Papas, and popularized in versions by Judy Collins and the Grateful Dead. It relates the journey of a narrator and his uncle from southern Colorado towards west Texas, involving standard cowboy song themes like a poker game in ...
Miller was raised by his aunt and uncle. [4] He later rewrote the song, changing the nonsensical but suggestive lyrics about an "uncle" to "mama" instead, as included on his 1973 album Dear Folks, Sorry I Haven't Written Lately.
"Auntie Diaries" is a song by American rapper Kendrick Lamar from his fifth studio album Mr. Morale & the Big Steppers (2022). The fifteenth track on Mr. Morale & the Big Steppers and the sixth track on the album's second half, [1] "Auntie Diaries" was produced by an ensemble of producers, including Beach Noise, Bekon, the Donuts, Craig Balmoris, and Tyler Mehlenbacher.
The Beatles were admirers of Little Richard, and regularly performed his songs during their live act. "Long Tall Sally" was the most durable song in their live repertoire, lasting from their earliest days as the Quarrymen in 1957 through to their last public concert in August 1966.
Uncle Meat is the sixth album by the Mothers of Invention, and seventh overall by Frank Zappa, released as a double album in 1969. Uncle Meat was originally developed as a part of No Commercial Potential, a project which spawned three other albums sharing a conceptual connection: We're Only in It for the Money, Lumpy Gravy and Cruising with Ruben & the Jets.
As a result, side characters — including Aunt Lydia (Ann Dowd) — are explored more in an effort to show how Gilead formed and the ramifications of trying to go against the rules. Atwood's ...
He purchased the rights to the stories in 1939, paying Harris's family $10,000 (equivalent to $223,000 in 2024). By 1986, the film based on the stories, Song of the South, had earned $300 million. [9] Beginning in 1939, Disney began developing Uncle Remus as an entirely animated feature. The stories were also considered as two-reel animated shorts.