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Clair de lune (Op. 46, No. 2; for tenor and orchestra) Gavotte (from the 1869 symphony) Pavane (Op. 50, 1887) The suite drawn from the work has remained one of Fauré's most popular works. It was published by Durand et cie in 1919. [10] It is scored for 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 2 horns, 2 trumpets, timpani, harp and strings. [10]
Victoria includes settings of the movements of the Requiem Mass, accounting for about 26 minutes of the 42 minute composition, and the work is sometimes referred to as Victoria's Requiem. However, it is not his only requiem, in 1583 Victoria composed and published a book of Masses, reprinted in 1592, including a Missa pro defunctis for four ...
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Music for the Requiem Mass is any music that accompanies the Requiem, or Mass for the Dead, in the Catholic Church. This church service has inspired hundreds of compositions, including settings by Victoria , Mozart , Berlioz , Verdi , Fauré , Dvořák , Duruflé and Britten .
" Requiem", SC 76, is a composition for choir, viola and pump organ or pipe organ that Giacomo Puccini wrote in 1905. Commissioned by his publisher, Puccini set the Latin antiphon of the Requiem mass on the occasion of the fourth anniversary of the death of Giuseppe Verdi .
Page from the manuscript of the Requiem: In paradisum, m. 413, Bibliothèque Nationale, Paris. Gabriel Fauré composed his Requiem in D minor, Op. 48, between 1887 and 1890. The choral-orchestral setting of the shortened Catholic Mass for the Dead in Latin is the best-known of his large works. Its focus is on eternal rest and consolation.
Louis Chein (Paris, 1637–1694) was a French priest and composer best known for his requiem mass for four voices published by Ballard in 1690. [1] The "Ne recorderis"; and "Dirige Domine" of Chein's mass were selected by conductor Raphael Pichon for inclusion in the composite requiem mass Les Funerailles Royales de Louis XIV for the funeral of Louis XIV (1715) performed and videotaped in 2015.