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The Oxford Illustrated Histories are a series of single-volume history books written by experts and published by the Oxford University Press. [1] According to Hew Strachan , its intended readership is the 'intelligent general reader' rather than the research student.
The Force of Destiny: A History of Italy Since 1796 (2008) excerpt and text search; Hearder, Henry, and D. P. Waley; A Short History of Italy: From Classical Times to the Present Day (1963) online edition Archived 2008-06-21 at the Wayback Machine; Holmes, George. The Oxford Illustrated History of Italy (2001) excerpt and text search; Killinger ...
Oxford: Oxford University Press, 1980. Florence, Rome and the origins of the Renaissance. Oxford: Clarendon Press, 1986, 1988. The Oxford Illustrated History of Medieval Europe. Oxford: Oxford University Press, 1988, 1990, 2001. The first age of the western city, 1300-1500: an inaugural lecture delivered before the University of Oxford on 8 ...
Italy took the initiative in entering the war in spring 1915, despite strong popular and elite sentiment in favor of neutrality. Italy was a large, poor country whose political system was chaotic, its finances were heavily strained, and its army was very poorly prepared. [160] The Triple Alliance meant little either to Italians or Austrians.
The Oxford Illustrated History of Medieval Europe is a history of medieval Europe, first published by Oxford University Press in 1988 under the editorship of George Holmes. It is divided into six chapters by different authors, covering the period 400 to 1500 AD, each of which has either a northern or southern Europe focus.
The Oxford Illustrated History of Modern Europe (Oxford University Press, 1996) The Rise and Fall of the French Revolution (University of Chicago Press, 1996) with David Cannadine (eds.), History and Biography: Essays in Honour of Derek Beales (Cambridge, 1996) with Peter Wende (eds.), Reform in Great Britain and Germany, 1750–1850 (Oxford, 1999)
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The choreography was by Giovan Battista Balbi. The performance, which lasted six hours, was a triumph. However, Rossi proved to be a victim of his own success. The expense of the performance was just one of many reasons stoking popular discontent against Cardinal Mazarin which soon broke out into full-scale rebellion (the Fronde). When Rossi ...