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A mantra (Pali: mantra) or mantram (Devanagari: मन्त्रम्) [1] is a sacred utterance, a numinous sound, a syllable, word or phonemes, or group of words (most often in an Indo-Iranian language like Sanskrit or Avestan) believed by practitioners to have religious, magical or spiritual powers.
Om Namo Bhagavate Vāsudevaya in Devanagari. Om Namo Bhagavate Vāsudevāya (Sanskrit: ॐ नमो भगवते वासुदेवाय, lit. 'I bow to God Vāsudeva'; listen ⓘ) is one of the most popular mantras in Hinduism and, according to the Bhagavata tradition, the most important mantra in Vaishnavism. [1]
A yantra comprises geometric shapes, images, and written mantra. Triangles and hexagrams are common, as are circles and lotuses of 4 to 1,000 petals. Saiva and Shakti yantras often feature the prongs of a trishula. [11] Mantra Yantras frequently include mantras written in Sanskrit.
The 1st millennium AD Buddhist literature included books of magico-religious mantras and spells for protection from evil influences of non-human beings such as demons and ghosts. [ 94 ] [ 95 ] These were called Pirita (Pali: Paritta) and Rakkhamanta ("mantra for protection"), and they share premises and style of hymns found in Atharvaveda.
A bījamantra (Sanskrit: बीजमन्त्र, romanized: bījamantra, lit. 'seed-mantra', in modern schwa-deleted Indo-Aryan languages: beej mantra), [1] or a bījākṣara ("seed-syllable"), is a monosyllabic mantra believed to contain the essence of a given deity.
Mantras are also often visualized as being located within the yogi's body as part of tantric meditations. For example, in the "Yogini Heart" tantra, a Śrī Vidyā text, the yogi is instructed to imagine the five syllables (HA SA KA LA HRIM) of the deity's mantra in the muladhara chakra. The next set of five syllables (HA SA KA HA LA HRIM) is ...
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The next few mantras continue describing Lalita Devi as the ideal feminine form whose splendor is unmatched by any other celestial: with cheeks that shine like a mirror of Padmaraga (23), having beautiful white teeth resembling the shodasakshari mantra (25), and having a voice sweeter than the sound emanating from Kachchapi, the veena of Saraswati.