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"The Equal-Rights Banner" An American anthem for women's voting rights, the lyrics were written by Reverend C. C. Harrah, sung to the tune of "The Star-Spangled Banner". The second verse mentions the evil of "License", referring to alcohol abuse by men, a central issue for women in the Temperance movement. [1] 1891 (text) c.1890s (music)
The 1990s also saw a sizable movement of pro-women's rights protest songs from many musical genres as part of the Third-wave feminism movement. Ani DiFranco was at the forefront of this movement, protesting sexism, sexual abuse, homophobia, reproductive rights as well as racism, poverty, and war. Her "Lost Woman Song" (1990) concerns itself ...
Bob Dylan songs such as "Blowin' in the Wind" and "The Times They Are a-Changin'" became anthems for the civil rights and anti-war movements in the 1960s.. A protest song is a song that is associated with a movement for protest and social change and hence part of the broader category of topical songs (or songs connected to current events).
Understanding the masterpiece that is Marvin Gaye’s 1971 hit isn’t entirely possible without the context of the early 1970s. The Civil Rights era of the 1960s had come to an end, but old and ...
Protest songs have always been a part of social change and political change -- here are some of the best. Protest songs in popular culture: From preaching to the choir to making a real impact Skip ...
Arguably one of the best decades of music, the 1970s saw the rise of disco, long shaggy hair, the continuation of the free love movement, and, of course, Rock and Roll at its height of fame ...
Several songs were written in response to the Seneca Falls Convention, including "Women's Rights Convention Waltz," arranged by Julia F. Baker and "Woman's Rights, a Right Good Ballad," by Kate Horn. [9] [10] Baker's song is more supportive of a change in women's rights, while Horn's work emphasizes traditional values. [10]
Cris Williamson, whose 1975 album The Changer and The Changed was the best-selling women's music album and one of the best-selling albums by an independent label during the 1970s, in concert in 2013. Olivia Records, the first women's music record label, was created in 1973 by a collective including artist Meg Christian.