Search results
Results from the WOW.Com Content Network
This list of monochrome and RGB palettes includes generic repertoires of colors (color palettes) to produce black-and-white and RGB color pictures by a computer's display hardware. RGB is the most common method to produce colors for displays; so these complete RGB color repertoires have every possible combination of R-G-B triplets within any ...
The resolution 3840 × 2160, sometimes referred to as 4K UHD or 4K × 2K, has a 16:9 aspect ratio and 8,294,400 pixels. It is double the size of Full HD ( 1920 × 1080 ) in both dimensions for a total of four times as many pixels, and triple the size of HD ( 1280 × 720 ) in both dimensions for a total of nine times as many pixels.
Colour modes using NTSC or PAL-compliant televisions, and monochrome, composite video or RGB-component monitors. 640×200, 320×200 640 200 128,000 4:3 (or 16:5 and 16:10 with square pixels) 2–4 bpp for ST, 2–15 bpp on the Falcon. CGA: Color Graphics Adapter Introduced in 1981 by IBM, as the first colour display standard for the IBM PC. The ...
This chart shows the most common display resolutions, with the color of each resolution type indicating the display ratio (e.g., red indicates a 4:3 ratio).
JPEG XR [4] (JPEG extended range [5]) is an image compression standard for continuous tone photographic images, based on the HD Photo (formerly Windows Media Photo) specifications that Microsoft originally developed and patented. [6]
Rendition of SD ECR-1-1978 color bars Colors are only approximate due to different transfers and color spaces used on web pages and video (BT.601 or BT.709). SMPTE color bars are a television test pattern used where the NTSC video standard is utilized, including countries in North America.
[16] [17] YCbCr can be losslessly converted to RGB. MacOS refers to 24-bit colour as "millions of colours". The term true colour is sometimes used to mean what this article is calling direct colour. [18] It is also often used to refer to all color depths greater or equal to 24.
1080p50/p60 production format requires a whole new range of studio equipment including cameras, storage and editing systems, [10] and contribution links (such as Dual-link HD-SDI and 3G-SDI) as it has doubled the data rate of current 50 or 60 fields interlaced 1920 × 1080 from 1.485 Gbit/s to nominally 3 Gbit/s using uncompressed RGB encoding.