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52 Pick-Up is a 1986 American neo-noir crime film directed by John Frankenheimer and starring Roy Scheider, Ann-Margret, and Vanity. [3] It is based on Elmore Leonard 's 1974 novel 52 Pickup and is the second adaptation of it after The Ambassador (1984).
The film Hombre (1967), starring Paul Newman, was an adaptation of Leonard's 1961 eponymous novel. His short story "Three-Ten to Yuma" (March 1953) and novels The Big Bounce (1969) and 52 Pickup (1974) have each been filmed twice. Other novels filmed include: The Tall T (with Randolph Scott) (from "The Captives")
Ann-Margret Olsson (born April 28, 1941), credited as Ann-Margret, is a Swedish actress and singer with a career spanning seven decades.Initially gaining notoriety in 1961 as a singer with a sultry, vibrant contralto voice, [1] [2] she quickly rose to Hollywood stardom.
52 pickup or 52-card pickup is a prank which consists only of picking up a scattered deck of playing cards.It is typically played as a practical joke, where the "dealer" creates the false impression that a legitimate game will be played, then simply throws the entire deck (typically 52 cards but can be 53 or 54 if jokers are included) into the air so the cards land strewn on the floor and ...
Better Off Dead, 1985 film (closing scenes) 52 Pick-Up, 1986 film (one scene set during Dodgers-Mets game on May 16, 1986) The Naked Gun: From the Files of Police Squad!, 1988 film (closing scenes) The Sandlot, 1993 film (cameo) The Fast and the Furious, 2001 film (opening scene driving in the parking lot)
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Columbia Pictures Industries, Inc. is an American film production and distribution company that is the flagship unit of the Sony Pictures Motion Picture Group, [2] a division of Sony Entertainment's Sony Pictures, which is one of the "Big Five" film studios and a subsidiary of the multinational conglomerate Sony Group Corporation.
Pickup on South Street is a 1953 American spy film noir written and directed by Samuel Fuller, and starring Richard Widmark, Jean Peters, and Thelma Ritter. [5] Widmark plays a pickpocket who unwittingly steals a covert microfilm sought by foreign agents. The film combines elements of the traditional crime film noir with Cold War-era espionage ...