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Issued as a single, Edelman's "Concrete and Clay" became a UK hit reaching No. 11 in March 1976. [9] In Canada the song reached No. 32 on the AC Charts. [10] In 1986, a remake of "Concrete and Clay" by Martin Plaza, co-lead vocalist of the group Mental as Anything, reached No. 2 in Australia and was the 23rd biggest selling single in Australia ...
"Concrete and Clay" returned to the top 20 of the UK Singles Chart in 1976, courtesy of Randy Edelman's cover version. [12] The song appeared on the soundtrack to the 1999 film Rushmore. Martin Plaza, co-lead vocalist of Australian band Mental As Anything, released his version as his debut solo single in 1986, from his debut solo album Plaza ...
The song was issued almost five months after "Concrete and Clay"; Tracy notes the long gap in between singles, during an era where a band was expected to issue singles within two month intervals. [15] As "Concrete and Clay" was still in the charts in the US during May 1965, the band's US label London Records postponed the release until July 1965.
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The song was intentionally written as a "pastische" of Burt Bacharach and Hal David while also being inspired by Unit 4 + 2's recent hit "Concrete and Clay". [ 4 ] [ 5 ] Nonetheless, "Someone's Taken Maria Away" was released by Parlophone Records on 11 June 1965, [ 6 ] backed by "I Can't Think Of Any One Else", which was written by guitarist ...
1986 · Concrete & Clay (album Never Too Much) 1986 · Girls I Love (album Never Too Much) 1987 · No More Sorrow (album Des Teutons Pas Nippons) 1989 · Real Men Don't Eat Gummibears (album Des Teutons Pas Nippons) 1999 · Too Much '99 (album Des Teutons Pas Nippons)
Mental As Anything are an Australian new wave and pop rock band that formed in Sydney in 1976. [1] [2] [3] Its most popular line-up (which lasted from 1977 to 1999, and recorded all of their charting singles and albums) was Martin Plaza (birth name Martin Murphy) on vocals and guitar; Reg Mombassa (birth name Christopher O'Doherty) on lead guitar and vocals; his brother Peter "Yoga Dog" O ...
During this early development of music concrete, Schaeffer continued participation in his Club d’Essai. Prior to their collaboration on Timbres-Durées (1952), Schaeffer’s acquaintance and serialist composer, Olivier Messiaen, periodically participated in broadcasts, round tables, and critiques surrounding musique concrète.