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This is a complete list of compositions by Claude Debussy initially categorized by genre, and sorted within each genre by "L²" number, according to the 2001 revised catalogue by musicologist François Lesure, [1] which is generally in chronological order of composition date. "L¹" numbers are also given from Lesure's original 1977 catalogue.
Debussy c. 1900 by Atelier Nadar (Achille) Claude Debussy [n 1] was a French composer. He is sometimes seen as the first Impressionist composer, although he vigorously rejected the term. He was among the most influential composers of the late 19th and early 20th centuries. Born to a family of modest means and little cultural involvement, Debussy showed enough musical talent to be admitted at ...
Images (usually pronounced in French as ) is a suite of six compositions for solo piano by Claude Debussy. [1] They were published in two books/series, each consisting of three pieces. These works are distinct from Debussy's Images pour orchestre. The first book was composed between 1901 and 1905, and the second book was composed in 1907. [2]
Ballets to the music of Claude Debussy (8 P) C. ... Pages in category "Compositions by Claude Debussy" The following 9 pages are in this category, out of 9 total.
Completed in July 1914, the suite was Debussy's only completed composition that year. In 1915 Debussy transcribed them for piano solo. [1] Much of the music (over 100 measures) is taken from the musical accompaniments he had written in 1901 for his friend Pierre Louÿs's erotic lesbian poems Les Chansons de Bilitis.
Claude Debussy: Syrinx (1913) Arthur Honegger: Danse de la chèvre (1921) Robert Muczynski: Three Preludes, Op. 18 (1962) Karlheinz Stockhausen: Amour (1981) Harmonien (2006) Tōru Takemitsu. Voice (1971) Georg Philipp Telemann: 12 Fantasias for Solo Flute (1733) Edgard Varèse: Density 21.5 (1936)
Writing "images", Debussy was purposely intending not to create linear musical progression, but a sonic representation of water. Reflets dans l'eau is also an example of the new tone colors Debussy discovered for the piano in this part of his life, and although he later refined this style, it is representative of a major breakthrough in piano ...
On the occasion of the centenary of Debussy's death, Bärenreiter published in 2018 a critical edition of some of his piano music, including Pour le piano. [8] The publisher remarked that the "improvisational and fugitive" parts of Debussy's compositions were "governed by a precisely calibrated formal design" that left "little room for chance". [8]
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